Classes

Classes are designed to challenge your thinking and develop your professional skills. You’ll leave each class with a unique set of tools to approach new communications challenges.

Tailor your experience to your career goals by focusing on one of eight areas of specialization. Use the search widget below to sort classes by quarter, specialization, instructor and degree track for each quarter. Get a comprehensive view of the full academic year in our Course Guide.

View the University of Washington Academic Calendar for important dates, including quarter start and end dates, registration dates and deadlines, and campus holidays.

Registration numbers (SLNs) are located on the Time Schedule. Please read the Department’s statement on internet resource requirements for access to courses.

COM 597: Measuring Marketing Effectiveness: Analytics and Insights for Brands

(

Myers

)

- 2016-2017 | Summer 2017

MCDM Elective, Meets Research Requirement
Mondays, 6/19-8/14, 6:00-9:50pm | CMU 126
Please note this class will not meet on July 3 but will instead add a class on Tuesday, July 11, 6:00-9:50pm in CMU 126.

Course Description: 

This course will introduce students to the fundamentals of digital marketing analytics and driving insights on how to measure the efficacy and ROI of digital media. We will compare and evaluate some of the analytics tools on the market and learn how to perform a social landscape audit, establish KPIs (key performance indicators), set marketing goals, and determine methods for campaign performance tracking. We’ll deep dive into the components that comprise a monthly monitoring report, including managed channel (Facebook, Twitter, YouTube, etc.) success metrics and KPI tracking, conversation themes, influencer identification, data insights, and listening & monitoring topics. We’ll examine the latest debates, tools, technologies, and social channels and their implications for social media analytics. We will further explore each channel used in digital marketing including paid, owned, and earned.

{ Expand Course Description + }

COM 597: Crisis Communication Strategies in a Digital World

(

Schwartz

)

- 2016-2017 | Summer 2017

Track Neutral, Meets Law & Ethics Requirement
Mondays, 6/26-8/14, 6:00-9:50pm | MGH 074
Please note this class will begin the second week of the quarter on June 26 and will add a class on Tuesday, June 27, 6:00-9:50pm in CMU 126.

Course Description:

The 24-hour news cycle, social media, and online reporting fundamentally changed how institutional leaders, executives, celebrities, politicians, and organizations address crises big and small; internal and external; local, national, and international. Effectively managing a crisis means not just employing PR strategies, but developing a comprehensive communications plan that disseminates actionable content and engages all stakeholders with equal focus across multiple and diverse networks. This course will address how the tools of communication influence crisis communication strategies. In addition, it will identify the key issues that must be addressed during an organizational crisis (real or imagined) from a communications perspective. It will examine implementation strategies to engage traditional and social media; digital networks; federal, state and local lawmakers; external and internal stakeholders; and consumers or constituents. As important, it will deconstruct and reinforce the personal ethics and behavior required by professionals in a crisis situation. This class uses current events, interactive discussions, real-time exercises, and engaging guest lectures to provide practical insight about effective techniques and lessons learned.

{ Expand Course Description + }

COM 597: Strategic Communication for Responsible Leaders

(

Keyes

)

- 2016-2017 | Summer 2017

MCDM Elective
Wednesdays, 6/21-8/16, 6:00-9:50pm | CMU 126

Course Description: 

Honesty, integrity and high moral standards top the list of qualities expected of a leader, whether they are running a country, inspiring a global team or launching a new product. The challenge comes in knowing how to harness these attributes to inform and fuel communication that’s authentic and effective. This course will examine the concept of leadership, explore a range of leadership styles and discuss the role strategic communication plays in creating and maintaining positions of power and influence. Concepts including cultural intelligence and personal branding will be applied to tools and techniques from executive speeches to social media channels. As a responsible leader, the art of storytelling is critical for everything from inspiring a vision to managing a reputation during a time of crisis to connecting with communities. This course uses real-world scenarios, current events, interactive discussions, in-class exercises, and a variety of guest lectures to provide practical insight, relevant theory and memorable learning.

{ Expand Course Description + }

COM 597: Mastering the Art and Science of Professional Communication

(

McCarthy

)

- 2016-2017 | Summer 2017

MCCN Elective
Thursdays, 6/22-8/17, 6:00-9:50pm | CMU 126

Course Description:

Few careers are changing faster than that of the professional communicator. Communications and marketing leaders have made their way into the C-suite (as Chief Marketing Officers) across the nonprofit, private, and public sectors and influence everything from branding and sales strategies to organizational culture. This course will provide necessary background on the many disciplines in the communications and marketing mix, identify areas of convergence and divergence between these disciplines, and learn how to use these tools help an organization achieve its objectives or business goals. The course will teach participants to anticipate the communications needs of a company or organization’s leadership and include a range of assignments that ask students to apply course teachings to real-world scenarios with strategic thinking, brand development, and compelling storytelling.

{ Expand Course Description + }

COM 597: Intensive Video Storytelling: Conceptualizing, Shooting, and Editing

(

Keller

)

- 2016-2017 | Summer 2017

Track Neutral, 3 Credits
Wednesday-Sunday, 7/12-7/16, 9:00am-5:00pm | CMU 304 7/12-13, CMU 302 7/14-16

Course Description:

Media creation is a multi-step effort, with thoughtful decision-making involved throughout the process. How do the choices you make in the telling and delivery of your story affect the reception of your message? This course is aimed at expanding thought about how online media is affecting storytelling. Additionally, students will gain hands-on practice in producing online video stories. The skills-based aspect of this course is designed to familiarize students with the technologies associated with storytelling. Specifically how to refine, shoot, edit, and distribute their online video.

Student Testimonial:

“Five consecutive full days in the classroom may look intimidating, but not to worry, Drew Keller has a knack for effectively breaking up each eight-hour session. Drew takes students through a variety of exercises ranging from lecture and group discussions, to campus excursions to shoot footage, to hands-on video editing sessions. The first half of the course begins with the basics of storytelling through video. Drew makes sure each student has a firm grasp on film equipment use and vocabulary (light, sounds, camera, etc.). The second half is spent alone or in small teams shooting for and editing final projects which are screened the last day of class (Sunday afternoon). When I signed up for this course I cleared my schedule for the five days and devoted my entire attention to what I was learning. I decided to treat the course like a conference or even summer camp. Video editing is one of those tasks that always takes longer than you imagine, so be prepared to live and breathe your final project on days 3 through 5. But by the time you export your final video, you are quite amazed at what you were able to accomplish in such a short time span. Taking this course during the normal 10-week schedule probably allows for more internalization of the material and obviously additional time to learn shooting and video editing skills, however taking the 5-day deep dive proved to be extremely rewarding. This course is great for someone who doesn’t want to devote an entire 5 credits or quarter to video storytelling since it may not be the primary focus of their graduate school studies or career, but wants to get the higher level overview to be able to understand the process of creating a short online film from start to finish.”

{ Expand Course Description + }

COM 597: Leadership Approaches to Diversity Initiatives in Organizations

(

Ross

)

- 2016-2017 | Summer 2017

Track Neutral, 3 credits
Tuesdays, 6/20-8/15, excluding 7/4, 6:00-8:20pm | PCAR 297

Course Description: 

How leaders facilitate an inclusive work culture directly impacts the effectiveness of workplace diversity efforts. Changing workforce demographics and global collaborations create opportunities for greater effectiveness, resilience, and innovation. Without intentional leadership, however, these benefits can be lost. This course examines how common diversity paradigms profoundly shape how organizations approach internal diversity work and why these expectations matter. Students will learn to identify and communicate their own preferred leadership approaches to diversity and inclusion and will practice ways to collaborate with others who may hold very different expectations. In future, whether asked in a corporate job interview or by a journalist profiling a small start-up, students who have taken this class will be better equipped to field questions about these critical aspects of leadership in the 21st Century.

{ Expand Course Description + }

COM 597: Community Data Science: Programming and Data Science for Social Media

(

Guy

)

- 2016-2017 | Spring

MCDM Elective, Meets Research Methods Requirement
Thursdays, 6:00-9:50pm | CMU 126

Course Description:

This course will introduce basic programming and data science tools to give students the skills to find, access, and synthesize data into information. We will cover the basics of the Python programming language, web APIs including APIs from Wikipedia and Twitter, and basic tools for statistical hypothesis testing, data manipulation, and visualization. Students will be encouraged to bring questions and problems from their own area of interest and apply Python and Data Science to those problems through an independent project. Our target audience is students with no previous programming experience. There will be two major additions to the material we teach in the Community Data Science Workshop. First is a capstone independent data research project where students will be expected to practice what they’ve learned by sourcing, cleaning, and analyzing a data set that is relevant to their interests. Second will be special topics from the world of online social media analysis including A/B testing and measuring online success.

Student Testimonial:

“This course was intense and fast-paced, but it was an absolute blast! I took this course because I had taught myself a little bit of HTML, CSS, and C++ before, but I really wanted a more structured environment in which to better learn coding principles. Learning how to code is like learning another language; it takes a lot of practice and effort but you learn a lot of actionable info in a short period of time. From the beginning Professor Guy set the expectation that we weren’t going to become expert Python coders in 10 weeks, but we were going to learn the basic coding logic and syntax, how to pull and manipulate social media data, how to derive meaningful analysis, and how to speak about our technical coding methods in a clear and effective manner. He really made sure the course was as practical and applicable as possible. During the class we had weekly challenge problems where we learned how to manipulate data and then how to access it from website APIs. We got a lot of class time to work together and tackle these problems. These exercises gave us the skills to access and analyze data that we would eventually use for our final project, which we got full autonomy over. We learned basic skills for the first 6 weeks or so, and then had the rest of the classes to work on our final projects and ask Guy questions. He is incredibly enthusiastic and an insanely skilled programmer. This class made me feel that coding was much for accessible and gave me some skills that I could fall back on if I need to do some heavy data analysis in the future. I would highly recommend this course if you are curious about programming and up for a little bit of a fun challenge!”

{ Expand Course Description + }

COM 597 Crisis Communication Strategies in a Digital World

(

Schwartz

)

- 2016-2017 | Winter

Track Neutral I Meets Law and Ethics Requirement Core Requirement
Wednesdays, 1/3/17-3/10/17, 6-9:50pm I CMU 302

Course Description:

The 24-hour news cycle, social media, and online reporting fundamentally changed how institutional leaders, executives, celebrities, politicians, and organizations address crises big and small; internal and external; local, national, and international. Effectively managing a crisis means not just employing PR strategies, but developing a comprehensive communications plan that disseminates actionable content and engages all stakeholders with equal focus across multiple and diverse networks. This course will address how the tools of communication influence crisis communication strategies. In addition, it will identify the key issues that must be addressed during an organizational crisis (real or imagined) from a communications perspective. It will examine implementation strategies to engage traditional and social media; digital networks; federal, state and local lawmakers; external and internal stakeholders; and consumers or constituents. As important, it will deconstruct and reinforce the personal ethics and behavior required by professionals in a crisis situation. This class uses current events, interactive discussions, real-time exercises, and engaging guest lectures to provide practical insight about effective techniques and lessons learned.

{ Expand Course Description + }

COM 597: Leadership and Teams

(

Philipsen

)

- 2016-2017 | Spring

MCCN Elective
Wednesdays, 3/27/17-6/2/17, 6-9:50pm | CMU 126

Course Description:

In this highly interactive course you will learn to notice, describe, and assess how formal and informal leaders organize and participate in workplace meetings in ways that enhance group creativity and effective problem solving. The course integrates the classic wisdom on effective leadership in workplace groups with the newest research on virtual teams, computer-assisted group problem solving, and the facilitative potential of leader communications. In the course you will learn and practice a research method and skill—the real-time analysis of leader behavior in work group interactions, and you will learn how this skill will enable you to enhance the creative and problem solving performance of workplace groups in which you participate and t hat you lead. Taking this course can help you develop your personal capacity as a constructive participant in work groups and teams. It can also provide you with research-based understandings of how various leadership communications can facilitate the effectiveness of work groups, as well as equip you to do qualitative real-time analyses of the functioning of work teams of which you are a member, observer, or facilitator. Finally, it will introduce you to methods of analyzing and assessing the role that groups can play in the work of particular networks, communities, or organizations, including the benefits and costs to an organization of work in groups.

Student Testimonial:

I really found this to be one of the most valuable courses yet that I have taken while in the CommLead program. Dr. Philipsen is a wonderful teacher and has an instruction style that resonates with me. He is a great listener and is deeply engaged in all aspects of in-class discussion. While he is approachable and laid-back, he asks incisive questions and elicits critical thought from all members of the class. The content of the course is especially pertinent for any CommLead students who are in or who anticipate being in positions of leadership in their respective fields. I learned a tremendous amount about different group discussion and creative work processes, and the science that serves as the foundation for those processes. There is so much from this class that is directly and immediately applicable to group interactions in professional settings. This course was fantastic, and I am a better leader because of it.

{ Expand Course Description + }

COM 597: Graphic Storytelling as Communication Platform

(

Salkowitz

)

- 2016-2017 | Spring

MCDM Elective
Saturdays, April 8, 22, May 6, 20, and June 3, 9-5pm | CMU 126

Course Description:

Understanding how to use words and pictures in combination to tell stories is a core competency for communicators in the digital era. This class will provide you with a solid understanding of the medium of sequential art and visual narrative (aka “comics”) and the practical ability to incorporate visual storytelling into traditional, digital, and transmedia projects in a variety of entertainment, business, education, social and journalistic scenarios. Why comics? Comics and sequential art have gone from the margins of popular culture to the center of a multi-billion dollar global industry and a respected art-form. Many of the most popular movies, television, videogames and transmedia projects are adapted from comics and/or depend heavily on storytelling styles that originated with this unique medium. Issues of digital distribution, adaptation and audience engagement that arise in today’s “comics culture” affect the future of publishing, technology, social media and gaming. Beyond the world of entertainment, the principles of visual narrative are becoming fundamental to all manner of storytelling projects, global initiatives and creative enterprises. This class will explore the history and potential of comics as a storytelling medium in the digital age in both a media studies and business dimension, incorporating both theory and practice. We will look at the anatomy of the medium in all its forms; study how comics are used in entertainment, literary, documentary, journalistic, educational, training and business communications contexts; examine the challenges of bringing comic-based subject matter to other media; explore the business issues associated with the explosion of comics in the wider culture; and create an original digital transmedia project incorporating the visual language of comics.

Student Testimonial:

“For the uninitiated in transmedia, it’s a crash course in visual storytelling and pop culture. For those familiar with transmedia, it offers a series of case studies in what you can do right or wrong in transmedia campaigns. The class definitely emphasizes comics, so while it’s not necessary to have an extensive knowledge of that format, it’s definitely for someone who’s curious about them. I was surprised to learn that a degree of visual abstraction can actually enhance storytelling. Rather than using a more precise visual format, such as photography or accurate illustrations of reality, using caricatures lets a person’s imagination fill in the gaps. I also found the study of the more formal aspects of comics to be very interesting. The all-day Saturday sessions went surprisingly fast. Rob does a great job of mixing up the class between discussion, lecture, guests, and video. Still, it’s not for the faint of heart, so if you’re going to take the class, plan on committing your Saturdays. You don’t want to miss a class.”

{ Expand Course Description + }

COM 583: Multimedia Storytelling: Immersive Production Studio

(

Macklin

)

- 2016-2017 | Spring

MCDM Elective
Wednesday, 3/27/17-6/2/17, 6-9:50pm | CMU 318E

Course Description:

Emerging models of interactive and immersive (full & any screen, scrolling and responsive) storytelling are disrupting the ways we can reach and engage with our constituents. This course in Studio Production will have a deep concentration on the production aspects and development tools necessary to create Snow Fall-like immersive web stories. We will be coupling a critical look at these emerging models while working through the technical aspects of story creation and the implementation of web deveopment tools and platforms (HTML 5 & jQuery). This will be a project-based course through which students will acquire the strategy and skills to make informed designs about the development and use of immersive storytelling processes. Previous multimedia production and web development is not necessary, though a willingness to learn and play with the underlying technologies is a must.

Student Testimonial:

“This class blends multimedia storytelling and places it into a digital context. We used different mediums (video, text, photos, maps, and more,) to tell a story. Not only do we get to tell a story, but we also are guided in the technical aspects of video, photography, and web design. There are more practical skills actually used in this class than I can count on my fingers and toes! I really learned the importance of setting a scene. My previous degree is in filmmaking, and it seems like in longer-format storytelling (films, novels, etc) you can take more time building the landscape of a story. However, in digital storytelling, it is essential to get your visual ‘lede’ line – Having a map, photo, or video to set the scene of your story is essential to get your point across succinctly and clearly. Brevity is the soul of wit (and the internet). I really enjoyed that the class had both structure and freedom. We had a well defined storytelling goal to achieve for the class, but Scott opened up the way we told it to as many ways as we wanted to. This gave everyone the ability to choose which digital platforms to use and to perfect. While we all had to create a website, (with certain grade requirements – one video, photos, etc), it was up to us which web platform we used, and how much detail we put into individual aspects of the story. For instance, if a student wanted to really focus on good film, they could do that while selecting an easier web platform to plug their video into. Or, if a student wanted to really focus on building a detailed website, they could do that and be able to add shorter videos. The flexibility to work on your own strengths and interest in storytelling was really great.”

{ Expand Course Description + }

COM 558: Law of Digital Media, Interactive Media, and Content

(

Baker

)

- 2016-2017 | Spring

MCDM Elective, Meets Law & Ethics Requirement
Thursday, 3/27/17-6/2/17, 6-9:50pm | CMU 302

Course Description:

The law of digital media, interactive media and social media has facilitated the growth of multimedia storytelling, interactivity, and the explosion of collaborative consumption. Understanding when and how one can remix, reuse, republish, and remake content is critical to any organization’s successful advertising, content creation, distribution, and publication. This course will explore the legal issues surrounding free expression, content production and publication, intellectual property (with a special emphasis on copyright and fair use), and advertising. This course is designed both as a stand-alone course to satisfy the law and policy requirement of the program and as a companion to the data security and privacy law course offered in the Fall, which focuses more on data usage, privacy and security, FTC regulatory issues and intellectual property issues around data and analytics.

Student Testimonial:

“Law & Policy is usually among the favorites of each cohort, and I completely understand that! Kraig is an incredibly knowledgeable professor who is detail oriented, and cares deeply about getting his students interested in the material. Law seems like a boring subject at first, but he makes sure that the material is tailored to the interests of each class and gives his students the freedom to adapt the course to their passions and learning styles. Also, this course is incredibly relevant to many questions we always have looming over our heads about copyright and content. This subject will continuously be relevant, and Kraig does a great job at making sure you’re confident in that.”

{ Expand Course Description + }

COM 597: Advanced Content Strategy and the Future of Communication

(

Holmberg

)

- 2016-2017 | Spring

MCDM Elective, Meets Research Methods Core Requirement
Mondays, 3/27/17-6/5/17, 6-9:50pm | COM 126

Course Description:

This course will focus on advanced content strategy, in two senses of “advanced”: both as the next level of the skills taught in the intro courses, and as next wave content strategy as it relates to the advancement of emerging technologies. We will therefore build off of skills learned in the foundational content strategy courses, while looking simultaneously toward the future of the discipline and the hypothetical technologies of tomorrow.

For the advanced skills, we will take deeper dives into some of the core content strategy skills, including journey mapping, information architecture, and teardowns. Our goal with these tools will be to focus on the strategy which informs how we build products that solve real user problems.

We will also look “beyond the screen” to apply these content strategy tools to the Internet of Things, VR, AR, and more future technologies. But to understand the opportunities and challenges these new technologies bring, we will peer into to the future through the lens of science fiction. Science fiction both predicts and influences future technology; for example, in the 1960s Star Trek communicators foreshadowed the flip phones of the 1990s, and video chat existed in 1968’s 2001: A Space Odyssey long before Skype in the 2000s. Because sci-fi explores the human side of technological advancements—especially how people live and interact with these technologies—looking at several science fiction examples will help us think through tomorrow’s user challenges today.

This course will assume you have a basic understanding and familiarity with content strategy principles, so previous experience with content strategy, such as the completion of either COM 585: Multi-platform Content Strategy: A Practical Approach to Immersive & Responsive Content or COM 597: Design + Content: Introduction to UX Content Strategy is recommended (but not required).

{ Expand Course Description + }

COM 597: The Art & Science of Text-Based Marketing

(

Schiller

)

- 2016-2017 | Spring

Track Neutral, 3 Credits
Saturday, April 22, May 6, 20, 9-5pm | CMU 242

Course Description: 

This advanced marketing writing class is designed for students who can already write well, but want formal training in persuasive copywriting techniques – the kind that drive people to call, buy, join, or sign-­‐up. If you’ve ever agonized over finding just the right words to achieve your goals, this class is designed to get you there faster. It introduces some of the most effective and well-­‐tested methods used by professional storytellers to outsell and outrun the constantly changing market. Students will learn how to use techniques based in psychological research to get measurable lift in subject line open rates, landing page conversion rates, app store downloads, and more. Using a combination of readings, case studies and practical writing assignments students will learn the art and science of creating top-­‐performing marketing text.

{ Expand Course Description + }

COM 597: Audio Storytelling: Education, Engagement, and Entertainment

(

Crofts

)

- 2016-2017 | Spring

Track Neutral, 3 Credits
Wednesday, 3/27/17-6/2/17, 6-8:30pm | CMU 242

Course Description:

Whether gathered around a radio in a living room or walking plugged in with headphones, the medium of audio storytelling has always offered the opportunity to build mindset-shifting community around content. This course traces the evolution of audio storytelling from radio to podcasting that links to communities for various purposes: to educate, to entertain, and to inspire action. Consideration is given to the core characteristics of strong storytelling, observed through an auditory filter. Class materials are twinned with a selection of cross-sector guest speakers who bring their own craft perspective. Students will experiment with designing their own short audio pieces.

Student Testimonial:

“Three words are all it should take to convince any CommLeader that this course is awesome: Anita. Verna. Crofts. As we all observed, first hand, in her core class, Anita is one of those professors who not only excels at teaching course material, but also models effective communication, leadership, and community building techniques at all times. You learn a ton just by being around her, and she’s been known to bring amazing desserts to class as well.

In addition to the “AVC Factor”, this class will help you beef up your skills as a storyteller, interviewer, writer, and editor, especially when it comes to content that is meant to be engaged with auditorily. The course materials, which include a number of great podcast episodes, radio stories, and relevant readings, help provide solid examples of how audio stories can be used to educate, inspire, and entertain. There were also several guest speakers who shared insights both on the “how to’s” of audio storytelling and ways in which it can be used as a community building tool as well. Lastly there were several opportunities for rich class discussion and peer-review time which I always appreciate since we are surrounded by such a talented community here in CommLead.”

{ Expand Course Description + }

COM 546: Communication Through Digital Media & Networks

(

Yasin

)

- 2016-2017 | Spring

Required Core Course for MCDM and MCCN
Tuesdays, 03/27/17-06/2/17, 6-9:50pm | PCAR 391

Course Description: 

Communication through Digital Media and Networks: Organizational Storytelling and the Digital Age tackles how organizations across all sectors successfully craft their story and message it internally and externally. The course looks at various theories and case studies of organizational communication, which provide important context for how organizations map their values, identities and image to the story they convey to employees and the broader public. The course also asks students to apply these theories, create solutions and draft a plan concerning an actual organizational challenge for class clients that they are matched with in the class. In working with real clients, the class hopes to facilitate the pursuit of professional networks for students whilst also building strategic thinking and planning skills, which will be reflected in students’ in-class group projects. In addition to the group projects, students also write a case-study about the organization and the communicative challenge they face on their own to further develop students’ skills as forecasters and leaders in the field.

{ Expand Course Description + }