Classes

Classes are designed to challenge your thinking and develop your professional skills. You’ll leave each class with a unique set of tools to approach new communications challenges.

Tailor your experience to your career goals by focusing on one of eight areas of specialization. Use the search widget below to sort classes by quarter, specialization, instructor and degree track for each quarter. Get a comprehensive view of the full academic year in our Course Guide.

View the University of Washington Academic Calendar for important dates, including quarter start and end dates, registration dates and deadlines, and campus holidays.

Registration numbers (SLNs) are located on the Time Schedule. Please read the Department’s statement on internet resource requirements for access to courses.

COM 597: Visual Culture: The Power of Imagery in the Digital Age (Avni)

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MCDM Elective
Tuesdays, 6:00-9:50pm | SAV 168

Former Tags: Summer 2014, MCDM

Course Description:

Over 500 million photographs a day get shared on Facebook, Flickr, Twitter, and Instagram as photography has taken center stage on today’s social media platforms. Those early inventors of photography would have found it hard to imagine the relative ease and speed with which today’s average Joe or June can snap, pick, and publish. This course will explore of the impact of the photographic image on social media, reportage, and visual storytelling, as well as create an understanding about the use of information design in data visualization and infographics. A few of the topics to be explored will include the “Social Psychology of the Selfie”, the “Seven Types of Social Photography”, “Photography as User Interface”, “Cellphone Photojournalism”, “User-generated Imagery vs. Professional Imagery”, and how data and information can be “Beautiful and Useful”. Students will gain an understanding of key design principles and knowledge about how to effectively use visual elements and graphics to complement and enhance storytelling. There will be readings from practitioners and thought leaders in the field, as well as discussion of applicable communication theories. The class will engage in some hands-on design and photography work, but no special equipment or graphic design skills are needed. True to the nature of this course, if you have a cellphone you have a camera.

Student Testimonial:

“Robin Avni’s class covers a range of topics involving the power of imagery; everything from the history of photography and photojournalism to the influence of visuals in social media. Not only do we gain a new appreciation for photography, but we learn about the principles and aesthetics of what it takes to create a memorable image—a great skill to have professionally and personally. For the final project, Avni allowed us so much creative freedom. It was a terrific opportunity to explore personal passions, and because of that freedom, everyone’s projects were so unique and interesting. The physical and digital world is so saturated with images—it’s hard to compete. Learning the technicalities of what truly resonates with a viewer and how a single image can tell a story was inspiring. It helped me make more deliberate decisions in the kind of visuals I use both at work and within my personal networks. Avni’s passion for photography and imagery was evident throughout the class. Her breadth of knowledge and experience is so rich. Avni also goes above and beyond for her students; her feedback was thorough and she helped individuals identify a specific challenge that would directly apply to their final project as well as work-related assignments.”

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COM 597: Ethics of Digital Media (Rufo)

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MCDM Elective, Meets Law & Ethics Core Requirement
Thursdays, 6:00-9:50pm | CMU 126

Former Tags: Summer 2014, MCDM, Law and Ethics

Course Description:

Digital and social media raise new and profound ethical questions even as they provide novel and innovative answers to longstanding ethical challenges. At the same time, more informed consumers and profoundly impactful technologies are changing how businesses succeed, in large part because consumers, employees, and vendors now have the power and the knowledge to make decisions to align themselves with companies that share their values. From the bus protests in San Francisco to revelations of NSA collaboration by many tech companies, from conflict-free metals in Intel chips to the collapse of net neutrality, the importance of ethics in the digital industry landscape has never been more important when understanding business decisions, nor when making consumer decisions, because these days you vote for the future of the Internet with your dollars or your data.
This course tackles the ethical challenges of digital media from both sides of the spectrum, trying to highlight the good and the bad, the promise and the problem, of digital and social media. Topics will include microfinancing, crowdsourcing, personal branding, cyber-bullying, collaborative consumption, privacy, security, the nature of content, the nature of ownership, marketing, community, doxxing, representation, participation, and more. Many of these issues have a legal component, to be sure, but legal compliance and ethical behavior are rarely ever the same circles in the Venn diagram of human behavior. By making explicit our ethical perspectives, we can both identify more productive ways of thinking and exploring what digital can do, and about how we wish to position ourselves as both consumers and creators, users and media professionals. The class will entail reading, viewing, discussion, and a final project that can take multiple forms: written paper, media content, web project, etc.
If there are any questions, please don’t hesitate to contact Dr. Ken Rufo @ kenrufo@uw.edu.

Student Testimonial:

“Ken Rufo takes the complicated idea of ethics and provides practical and relevant context that can be applied directly to fields of communications and business. Citing current real-world examples, Rufo challenges students to question conventional ideas in an attempt to understand where the idea of ethics has been and where it is headed. For our final project we were asked to address an ethical issue of our choosing. My group decided to take an in-depth look at the ethical context of sport from the standpoint of technology, looking at the idea of how advancements from steroids to Google Glass impact the authenticity of competition. It was a challenge to take the concepts learned in class and apply them to a subject of interest. Given the freedom to explore the various ethical implications was fascinating and caused me to question some of my preconceived notions. I have taken several classes from Rufo and I have enjoyed each one. He keeps his students engaged with relevant examples delivered in an entertaining fashion and challenges people to come armed with ideas. I would recommend any class taught by Rufo.”

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COM 587: Business Fundamentals in Digital Communications (McPherson)

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Track Neutral
Wednesdays, 6:00-9:50pm | CMU 242

Former Tags: Summer 2014, MCCN, MCDM, Track Neutral

Please Note: COM 587 is a neutral class and while offered in different tracks different quarters, can be taken by either MCCN or MCDM students as part of their core electives, regardless of the track that particular quarter. It does not count as as the option all students have to take two courses in the alternative track.

Course Description:

A practical understanding of key business fundamentals is essential in being able to create and implement digital communications strategies in today’s organizations. This course will be useful for students that are employed in large and small businesses, wanting to start their own business, or for those working in or with NGOs/non-profit organizations. The learning focus will be on business fundamentals within the world of digital communications companies and departments within organizations. We will cover the following subjects: Marketing/Sales, basics of Finance and Accounting (including understanding ROI), operations, and implementation. Students will apply key business concepts by building a business plan of their own design, either solo or on a team that is of interest to several students. The business plan serves as a comprehensive vehicle for putting into practice the central teachings of the class. Plans can reflect a range of possibilities: new small-business ventures, initiatives from students’ workplaces, a new nonprofit organization or plans that reflect the interests of students who choose to pursue a plan within a sub field they hope to pursue as a career. As a result of taking this course, students will have a better understanding of the underlying issues facing business and be able to develop more relevant strategies and tactics to leverage the opportunities and challenges that digital media presents. At the completion of the class, students will be able present their ideas and initiatives in a more persuasive way to the decision makers in organizations by aligning their suggestions with the needs and issues facing the organization.

Student Testimonial:

“Rick’s class took my understanding of business to the next level. As someone whose spent most of my collegiate career in communication courses, this business fundamentals class lived up to the name. Further, Rick’s examples were often straight from news headlines, and his career experience brought the concepts to life. The deliverables were time intensive, but working in a team made the workload comparable to other courses. The tools and know-how to build a strong business plan made this course one of the most valuable I’ve taken in the program thus far.”

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COMMLD 535: Foundations of Audio Storytelling

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Partnow

)

- 2021-2022 | Summer

Track Neutral Elective | 5 Credits
Tuesdays 6/22-8/17, 6:00PM PDT – 9:50PM PDT | Online

Course Description

Whether gathered around a radio in a living room or walking plugged in with headphones, the medium of audio storytelling has always offered the opportunity to build a mindset-shifting community around content. This course traces the evolution of audio storytelling from radio to podcasting that links to communities for various purposes: to educate, to entertain, and to inspire action — and the new golden age of podcasting that we find ourselves in means that audio storytelling has the potential for broad reach and powerful impact. Consideration is given to the core characteristics of strong storytelling, observed through an auditory filter. Class materials are twinned with a selection of cross-sector guest speakers who bring their own craft perspective. Students will experiment with designing their own short audio pieces.

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COMMLD 536: Intensive Video Storytelling: Conceptualizing, Shooting, and Editing

(

Keller

)

- 2021-2022 | Summer

Track Neutral | 3 Credits
Wednesday – Sunday 6/23 – 6/27, 9:00AM PDT – 5:00PM PDT | Online

Course Description:

This skills-based course explores how engaging online video relies on effective storytelling. It is designed to familiarize you with video tools associated with storytelling: specifically, how to develop, shoot, and edit video.

Storytelling has been part of the human experience since the formation of language. Today, the technology that surrounds the “tell” of a story (the modes and channels of communication) directly shapes a viewer’s experience. This course focuses on the practical decisions you make as you craft a narrative. How do the choices you make in the creation and delivery of your story affect the reception of your message?

Given the compressed five-day timeline of this course, we will emphasize skill building using devices you currently have available. The class will also include practice with the tools that have emerged during the pandemic for remote video production. Remote production will continue to be a part of the fabric of media creation even after the restrictions from the pandemic have been lifted. It is cost-effective and creates the opportunity to eliminate geography as a barrier to access.

*This is an intensive course taking place on five consecutive days, starting Wednesday June 23 – Sunday June 27. 

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COMMLD 541: Crisis Communication

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Schwartz

)

- 2021-2022 | Summer

Track Neutral | Meets Law & Ethics Requirement | 5 Credits
Wednesdays 6/23 – 8/18, 5:00PM PDT – 8:50PM PDT | Online

Course Description

The 24-hour news cycle, social media, and online reporting fundamentally changed how institutional leaders, executives, celebrities, politicians, and organizations address crises big and small; internal and external; local, national, and international. Effectively managing a crisis means not just employing PR strategies, but developing a comprehensive communications plan that disseminates actionable content and engages all stakeholders with equal focus across multiple and diverse networks. This course will address how the tools of communication influence crisis communication strategies. In addition, it will identify the key issues that must be addressed during an organizational crisis (real or imagined) from a communications perspective. It will examine implementation strategies to engage traditional and social media; digital networks; federal, state and local lawmakers; external and internal stakeholders; and consumers or constituents. As important, it will deconstruct and reinforce the personal ethics and behavior required by professionals in a crisis situation. This class uses current events, interactive discussions, real-time exercises, and engaging guest lectures to provide practical insight about effective techniques and lessons learned.

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COMMLD 543: Leadership Approaches to Equity Initiatives in Organizations

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Ross

)

- 2021-2022 | Summer

MCCN Elective | 5 Credits
Wednesdays 6/23-8/18, 6:00PM PDT – 9:50PM PDT | Online

Course Description

This course challenges and supports students to develop deeper self-awareness, hone stronger skills for learning across difference, and prepare themselves as organizational change-makers for diversity, equity, and inclusion.

For better or worse, organizational change initiatives impact individuals, groups, organizations, and ultimately societies. Thus, courageous leaders throughout organizations must learn how to improve their relevant knowledge, skills, and awareness iteratively, in order to contribute effectively to genuine change-making. The course is designed to meet students where they are and coach them toward significant growth in self-awareness, skills, and understanding. Students learn collaboratively together in order to explore interconnections among the dimensions of our intersectional identities. Those who complete this course gain confidence in their ability to learn about uncomfortable topics and expand their understanding of the roles of individuals, groups, organizations, and societal structures in making real system change.

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COM 536: Leadership Through Story and Communities: Creativity and the Digital Age

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Crofts

)

- 2016-2017 | Autumn 2016

Required Core Course for MCDM and MCCN
Saturdays, 9/24, 10/8, 10/22, 11/5, 11/19/16, 9:00am-5:00pm | Puget Sound Plaza 508/509

Course Description:

The Comm Lead core classes are designed to build off one another, with the Fall core class focused on personal narrative and leadership styles, with the Spring core class opening the aperture on narrative to include organizational storytelling and engagement. Both classes are also designed to set expectations and behaviors for a fruitful graduate school experience that encourages students to take accountability for their own learning, to see themselves as creatives, as leaders, and as entrepreneurial thinkers whose evolving expertise serves not just their own professional growth, but the wellbeing of their greater community at large.

This foundational class considers personal leadership development through the two lenses of story and community, with particular attention paid to contemporary research on creativity. In this digital age when the technology of communication is so pervasive and accessible, leadership and creativity go hand in hand to produce strong community engagement. One’s personal narrative influences one’s leadership style, so using cross-sector profiles and guest speakers, we will carefully consider a range of leaders, personal narratives, communication styles, and how they connect meaningfully to customers, colleagues, and constituents. As part of the course, you will be exposed to communication theory and asked to map how your networks sustain and promote your professional and personal growth. In addition, you will have an opportunity to research and produce an original final project that reflects your personal and professional interests, ambitions, and curiosity within the field of communication.

Student Testimonial:  

“This course is about being able to understand that leadership and creativity are main tools in developing authentic, real and strategic messages. The class enhances the understanding of communications patterns in current organizations where storytelling becomes a unique tool to reach audiences when messages are everywhere. I learned in this class that one of the main things to true leadership is about opening ourselves to others in order to connect with them. There needs to be an ability to listen to others and care. Online worlds created by the fast-changing digital media technologies go back to the essence of connection with others. This class is the best personal and professional learning experience I had since I started the program. It gave me the creative room to imagine that everything is possible if you open up to yourself and to others. Leadership is a trait you can develop by using storytelling as a tool but in the end it’s about being able to share who you are with others and connect by listening back. The best storyteller is one who knows how to listen. Anita Verna Crofts, the professor of the course, represents that ideal teacher who is not only academically and professionally experienced, but who also cares for the whole growth of the people around her. Having this class changed my perspective on leadership, creation of communities and storytelling, but most importantly on myself.”

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COM 597: Thinking Story- Fundamentals of Storytelling for Organizations, Business, and Movements

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Kessler

)

- 2016-2017 | Winter

Track Neutral Elective
Saturdays, 1/7, 1/21, 2/4, 2/18, 3/4, 9-5pm | CMU 126

Course Description:

Thinking Story is a foundational class that focuses on the art and craft of nonfiction storytelling to communicate ideas and emotion, build relationships and community, promote change and inspire action. The class reflects the need in all sectors for superb storytelling. The class explores, investigates and discusses the elements of narrative — what makes a story a story – and looks at examples of nonfiction storytelling across media (text, sound, still image, moving image and multimedia combinations). This platform-agnostic, birds-eye view of story is about learning how to reframe/ reconceptualize “information” and “report” as story, how to locate the small story that illuminates the larger issue, and what it takes to produce such work. At its heart, the class is about learning how to conceptualize issues, topics, brands, and ideas as narratives. Students will learn to “think story,” to pinpoint, pitch and gather material for the production of original, compelling and persuasive content.

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COM 546: Communication Through Digital Media & Networks

(

Yasin

)

- 2016-2017 | Spring

Required Core Course for MCDM and MCCN
Tuesdays, 03/27/17-06/2/17, 6-9:50pm | PCAR 391

Course Description: 

Communication through Digital Media and Networks: Organizational Storytelling and the Digital Age tackles how organizations across all sectors successfully craft their story and message it internally and externally. The course looks at various theories and case studies of organizational communication, which provide important context for how organizations map their values, identities and image to the story they convey to employees and the broader public. The course also asks students to apply these theories, create solutions and draft a plan concerning an actual organizational challenge for class clients that they are matched with in the class. In working with real clients, the class hopes to facilitate the pursuit of professional networks for students whilst also building strategic thinking and planning skills, which will be reflected in students’ in-class group projects. In addition to the group projects, students also write a case-study about the organization and the communicative challenge they face on their own to further develop students’ skills as forecasters and leaders in the field.

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COM 597 Crisis Communication Strategies in a Digital World

(

Schwartz

)

- 2016-2017 | Winter

Track Neutral I Meets Law and Ethics Requirement Core Requirement
Wednesdays, 1/3/17-3/10/17, 6-9:50pm I CMU 302

Course Description:

The 24-hour news cycle, social media, and online reporting fundamentally changed how institutional leaders, executives, celebrities, politicians, and organizations address crises big and small; internal and external; local, national, and international. Effectively managing a crisis means not just employing PR strategies, but developing a comprehensive communications plan that disseminates actionable content and engages all stakeholders with equal focus across multiple and diverse networks. This course will address how the tools of communication influence crisis communication strategies. In addition, it will identify the key issues that must be addressed during an organizational crisis (real or imagined) from a communications perspective. It will examine implementation strategies to engage traditional and social media; digital networks; federal, state and local lawmakers; external and internal stakeholders; and consumers or constituents. As important, it will deconstruct and reinforce the personal ethics and behavior required by professionals in a crisis situation. This class uses current events, interactive discussions, real-time exercises, and engaging guest lectures to provide practical insight about effective techniques and lessons learned.

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COM 536: Leadership Through Story and Communities: Creativity and the Digital Age

(

Crofts

)

- 2017-2018 | Autumn 2017

Required Core Course for MCDM and MCCN
Saturdays, 9/23, 10/7, 10/21, 11/4, 11/18, 9:00am-5:00pm | GWN 201

Course Description:

The Comm Lead core classes are designed to build off one another, with the Fall core class focused on personal narrative and leadership styles, with the Spring core class opening the aperture on narrative to include organizational storytelling and engagement. Both classes are also designed to set expectations and behaviors for a fruitful graduate school experience that encourages students to take accountability for their own learning, to see themselves as creatives, as leaders, and as entrepreneurial thinkers whose evolving expertise serves not just their own professional growth, but the wellbeing of their greater community at large.

This foundational class considers personal leadership development through the two lenses of story and community, with particular attention paid to contemporary research on creativity. In this digital age when the technology of communication is so pervasive and accessible, leadership and creativity go hand in hand to produce strong community engagement. Oneʼs personal history and cultural context influences oneʼs leadership style, so using cross-sector profiles and guest speakers, we will carefully consider a range of leaders, their personal narratives, communication styles, and how they connect meaningfully to customers, colleagues, and constituents. As part of the course applied learning, you will be asked to research and produce an original final project concerning a communication issue that you find compelling and that reflects your personal and professional interests, ambitions, and curiosity within the field of communicationStudent Testimonial.

Student Testimonial:

“This course is about being able to understand that leadership and creativity are main tools in developing authentic, real and strategic messages. The class enhances the understanding of communications patterns in current organizations where storytelling becomes a unique tool to reach audiences when messages are everywhere. I learned in this class that one of the main things to true leadership is about opening ourselves to others in order to connect with them. There needs to be an ability to listen to others and care. Online worlds created by the fast-changing digital media technologies go back to the essence of connection with others. This class is the best personal and professional learning experience I had since I started the program. It gave me the creative room to imagine that everything is possible if you open up to yourself and to others. Leadership is a trait you can develop by using storytelling as a tool but in the end it’s about being able to share who you are with others and connect by listening back. The best storyteller is one who knows how to listen. Anita Verna Crofts, the professor of the course, represents that ideal teacher who is not only academically and professionally experienced, but who also cares for the whole growth of the people around her. Having this class changed my perspective on leadership, creation of communities and storytelling, but most importantly on myself.”

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COM 597: Intensive Video Storytelling: Conceptualizing, Shooting, and Editing

(

Keller

)

- 2016-2017 | Summer 2017

Track Neutral, 3 Credits
Wednesday-Sunday, 7/12-7/16, 9:00am-5:00pm | CMU 304 7/12-13, CMU 302 7/14-16

Course Description:

Media creation is a multi-step effort, with thoughtful decision-making involved throughout the process. How do the choices you make in the telling and delivery of your story affect the reception of your message? This course is aimed at expanding thought about how online media is affecting storytelling. Additionally, students will gain hands-on practice in producing online video stories. The skills-based aspect of this course is designed to familiarize students with the technologies associated with storytelling. Specifically how to refine, shoot, edit, and distribute their online video.

Student Testimonial:

“Five consecutive full days in the classroom may look intimidating, but not to worry, Drew Keller has a knack for effectively breaking up each eight-hour session. Drew takes students through a variety of exercises ranging from lecture and group discussions, to campus excursions to shoot footage, to hands-on video editing sessions. The first half of the course begins with the basics of storytelling through video. Drew makes sure each student has a firm grasp on film equipment use and vocabulary (light, sounds, camera, etc.). The second half is spent alone or in small teams shooting for and editing final projects which are screened the last day of class (Sunday afternoon). When I signed up for this course I cleared my schedule for the five days and devoted my entire attention to what I was learning. I decided to treat the course like a conference or even summer camp. Video editing is one of those tasks that always takes longer than you imagine, so be prepared to live and breathe your final project on days 3 through 5. But by the time you export your final video, you are quite amazed at what you were able to accomplish in such a short time span. Taking this course during the normal 10-week schedule probably allows for more internalization of the material and obviously additional time to learn shooting and video editing skills, however taking the 5-day deep dive proved to be extremely rewarding. This course is great for someone who doesn’t want to devote an entire 5 credits or quarter to video storytelling since it may not be the primary focus of their graduate school studies or career, but wants to get the higher level overview to be able to understand the process of creating a short online film from start to finish.”

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COM 597: Thinking Story- Fundamentals of Storytelling for Organizations, Business, and Movements

(

Kessler

)

- 2017-2018 | Winter

Track Neutral
Tuesdays, Jan 9th-March 6th, 6-9:50pm | CMU 126

Course Description:

Thinking Story is a foundational class that focuses on the art and craft of nonfiction storytelling to communicate ideas and emotion, build relationships and community, promote change and inspire action. The class reflects the need in all sectors for superb storytelling. The class explores, investigates and discusses the elements of narrative — what makes a story a story – and looks at examples of nonfiction storytelling across media (text, sound, still image, moving image and multimedia combinations). This platform-agnostic, birds-eye view of story is about learning how to reframe/ reconceptualize “information” and “report” as story, how to locate the small story that illuminates the larger issue, and what it takes to produce such work. At its heart, the class is about learning how to conceptualize issues, topics, brands, and ideas as narratives. Students will learn to “think story,” to pinpoint, pitch and gather material for the production of original, compelling and persuasive content.

Student Testimonial:

“Storytelling is THE foundational skill every student must have a deep understanding of in order to succeed in the Comm. Lead program. Take this course if you want to learn how to craft a captivating story, if you want to be challenged, and if you want to improve as a writer, researcher, and interviewer. Thinking Story shows students how much thought is required to create an entertaining, purposeful, and persuasive story. The assigned reading, viewing, and listening materials are a combination of interesting examples of storytelling and long form nonfiction, intended to introduce students to the idea that humans are “wired for story.” Each assignment builds on the next, leading up to the final deliverable, a storyboard of the narrative you researched and developed all quarter. Professor Kessler asks her students to choose topics that are important and of interest to them. The work you will produce in Thinking Story feels more like a passion project rather than tasks you must complete. I recommend this class for all students in the program!”

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COM 546: Communication Through Digital Media & Networks

(

Yasin

)

- 2017-2018 | Spring

Required Core Course for MCDM and MCCN
Thursdays, March 29th-May 31st, 6-9:50pm | PCAR 291
Registration SLN: 12404

Course Description: 

Communication through Digital Media and Networks: Organizational Storytelling and the Digital Age tackles how organizations across all sectors successfully craft their story and message it internally and externally. The course looks at various theories and case studies of organizational communication, which provide important context for how organizations map their values, identities and image to the story they convey to employees and the broader public. The course also asks students to apply these theories, create solutions and draft a plan concerning an actual organizational challenge for class clients that they are matched with in the class. In working with real clients, the class hopes to facilitate the pursuit of professional networks for students whilst also building strategic thinking and planning skills, which will be reflected in students’ in-class group projects. In addition to the group projects, students also write a case-study about the organization and the communicative challenge they face on their own to further develop students’ skills as forecasters and leaders in the field.

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COM 597: Leadership Approaches to Diversity Initiatives in Organizations

(

Ross

)

- 2017-2018 | Summer

Track Neutral
Wednesdays, 6/20-8/15, (No class July 4th, makeup class Monday 7/9) 6:00-9:50pm | SAV 130
Registration SLN: 10850

Course Description: 

This course challenges and supports students to develop deeper self-awareness, hone stronger skills for learning across difference, and prepare themselves as organizational change-makers for diversity, equity, and inclusion.

For better or worse, organizational change initiatives impact individuals, groups, organizations, and ultimately societies. Thus, courageous leaders throughout organizations must learn how to improve their relevant knowledge, skills, and awareness iteratively, in order to contribute effectively to genuine change-making. The course is designed to meet students where they are and coach them toward significant growth in self-awareness, skills, and understanding. Students learn collaboratively together in order to explore interconnections among the dimensions of our intersectional identities. Those who complete this course gain confidence in their ability to learn about uncomfortable topics and expand their understanding of the roles of individuals, groups, organizations, and societal structures in making real system change.

Student Testimonial:

This was THE BEST class! It was a complete eye-opener. We discussed some of the issues that are so prevalent in our daily lives but we choose to stay quiet and not discuss. Sarah pushes students to think deeper about our own behaviors towards self as well as others. Most of us found ourselves open up so much that by the end of the class, we were always longing for more discussions. The quarter went by too fast but did leave us with lot of learnings.

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