Classes

Classes are designed to challenge your thinking and develop your professional skills. You’ll leave each class with a unique set of tools to approach new communications challenges.

Tailor your experience to your career goals by focusing on one of eight areas of specialization. Use the search widget below to sort classes by quarter, specialization, instructor and degree track for each quarter. Get a comprehensive view of the full academic year in our Course Guide.

View the University of Washington Academic Calendar for important dates, including quarter start and end dates, registration dates and deadlines, and campus holidays.

Registration numbers (SLNs) are located on the Time Schedule. Please read the Department’s statement on internet resource requirements for access to courses.

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COMMLD 544: Professional Short-Form Writing

(

Tomasic

)

- 2024-2025 | Autumn 2024

Track Neutral | Meets Professional Writing Requirement | 3 Credits
Wednesdays 9/25 – 12/4, 6:00pm – 8:20pm | CMU 126
Registration SLN: 13069

Course Description

This collaborative hands-on course explores the kind of short-form writing that dominates today’s rapidly evolving professional communications space — the digital space where lines between content and form increasingly blur and where always-on media feeds deliver a mix of advertising, marketing, public relations, human resources, personal brand-building and journalistic reporting and research. It’s a space that presents new writing challenges every day: professional emails, office memos, newsletters, website copy, funding proposals, executive summaries, op-eds, tweets, blurbs, blogs. Much of this material is badly done. Most of it is mediocre. The best of it, though, sings out and demands our attention, demonstrating mastery in the kind of critical thinking and dedicated practice that delivers copy sharply focused and sure in matching voice and material with form and audience. This course is part professional-communications criticism class and part writing workshop. It’s about learning how to identify good writing; it’s about understanding the process that produces good writing; and it’s about practicing that process yourself.

Meets Professional Writing Requirement.

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COMMLD 545 A/B: Engaging Interviews

(

Dalch

)

- 2024-2025 | Winter 2025

Track Neutral | 2 or 3 Credits
Tuesdays 1/7 – 3/11, 6:00pm – 7:50pm | CMU 242
2-credit 545A Registration SLN: 22261
3-credit 545B Registration SLN: 22262

Course Description:

Great conversations are at the heart of professional success—whether you’re interviewing users for product research, having discovery calls with clients, conducting interviews for publication, or building your professional network. This course teaches you how to master the art of purposeful professional conversations through preparation, presence, and genuine curiosity. You’ll learn how to design and lead different types of professional dialogues, from structured research interviews to dynamic networking conversations, while maintaining authenticity and engagement.

Through a blend of coaching techniques and practical frameworks, you’ll develop skills in active listening, strategic questioning, and conversation management. Students will engage in hands-on practice with various conversation types (UX research, client discovery, media interviews, and professional networking) with guest speakers from various industries invited to add real-world perspectives on applying these skills.

Section A will be 2 Credits. Section B will be 3 Credits with an additional interview project.

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COMMLD 532: Advanced Video Storytelling

(

Christensen

)

- 2024-2025 | Spring 2025

MCDM Elective | 5 Credits
Saturdays 4/5, 4/19, 5/3, 5/17, 5/31, 9:00am – 5:00pm | Collective Chemistry
Application Required

Course Description

The world of video production is a mysterious and ambiguous place consisting of freelancers, business owners, and in-house roles. In this course students will learn how to add structure to their client interactions, how to ensure that they’re delivering content that fits their client’s needs, and how to navigate studio-based filming environments. Class will consist of qualitative analysis of how to approach storytelling problems as well as hands-on experiences with advanced camera gear in a professional setting. Students will collaborate in teams throughout the quarter to create one short video for a real-world client.

This course is a good match for students who:

Have taken the Foundations of Video Storytelling course OR have a very strong understanding of how to create video content

Are open to a simulated real world experience which includes working in groups

Are prepared for a time consuming and rigorous learning experience

Students must prove their proficiency in video production to register for this course by meeting the minimum qualifications:

1. Proficient experience in editing video on the following platforms: Adobe Premiere, Final Cut Pro, and/or DaVinci Resolve.

2. Experience in shooting video with either DSLRs or Video Cinema Cameras.

Please fill the form below to the best of your ability. You may be reached out with further clarifications. If your form is approved, you will receive an add code to register for the course. (Note: applications will be time stamped, and qualified applicants will be added to remaining class spots on an equitable basis determined by time of application and remaining time in the program.

The application will go live on Tuesday, February 18, 2025 at 6:30 AM and can be found here: https://forms.office.com/r/d3qPW7CJzg

Here are the questions on the form to help you prepare before it goes live:

Full Name
UW Email

Have you taken (or are currently taking) COMMLD 531: Foundations of Video Storytelling or COMMLD 536: Intensive Video Storytelling?

If you have not taken the Foundations of Video Storytelling course, do you have other comparable experience? We do not cover basics of how to use gear or software in this class, we focus largely on client relations and storytelling principles so you need to have a solid foundation of video creation methods in order to succeed. Please provide examples of your work if applicable.

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COMMLD 544A/B: Professional Short-Form Writing

(

)

- 2025-2026 | Autumn 2025

Open Elective | Meets Professional Writing Requirement | 3 or 5 Credits
Wednesdays 9/24 – 12/3, 6:00pm – 9:50pm | Room on Time Schedule
3-credit 544A Registration SLN: 13025
5-credit 544B Registration SLN: 23358

Course Description

This collaborative hands-on course explores the kind of short-form writing that dominates today’s rapidly evolving professional communications space — the digital space where lines between content and form increasingly blur and where always-on media feeds deliver a mix of advertising, marketing, public relations, human resources, personal brand-building and journalistic reporting and research. It’s a space that presents new writing challenges every day: professional emails, office memos, newsletters, website copy, funding proposals, executive summaries, op-eds, tweets, blurbs, blogs. Much of this material is badly done. Most of it is mediocre. The best of it, though, sings out and demands our attention, demonstrating mastery in the kind of critical thinking and dedicated practice that delivers copy sharply focused and sure in matching voice and material with form and audience. This course is part professional-communications criticism class and part writing workshop. It’s about learning how to identify good writing; it’s about understanding the process that produces good writing; and it’s about practicing that process yourself.

Students can choose between a 3-credit and 5 credit option:

• Section A will be 3 Credits and meet the Professional Writing Requirement. It meets 6-8:20. 

• Section B will be 5 Credits and also meet the Professional Writing Requirement. It will meet for a longer period from 6-9:50 and include additional short form assignments over the course of the quarter. 

Meets Professional Writing Requirement.

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COMMLD 532: Advanced Video Storytelling

(

)

- 2025-2026 | Current Quarter | Winter 2026

MCDM Elective | 5 Credits
Saturdays 1/17, 1/31, 2/14, 2/28, 3/14, 9:00am – 5:00pm | Off-site Location, see SharePoint
Registration SLN: 12651

Course Description

The world of video production is a mysterious and ambiguous place consisting of freelancers, business owners, and in-house roles. In this course students will learn how to add structure to their client interactions, how to ensure that they’re delivering content that fits their client’s needs, and how to navigate studio-based filming environments. Class will consist of qualitative analysis of how to approach storytelling problems as well as hands-on experiences with advanced camera gear in a professional setting. Students will collaborate in teams throughout the quarter to create one short video for a real-world client.

This course is a good match for students who:

 Have taken the Foundations of Video Storytelling course OR have a very strong understanding of how to create video content

 Are open to a simulated real world experience which includes working in groups

 Are prepared for a time consuming and rigorous learning experience

Students must prove their proficiency in video production to register for this course by meeting the minimum qualifications:

1. Proficient experience in editing video on the following platforms: Adobe Premiere, Final Cut Pro, and/or DaVinci Resolve.

2. Experience in shooting video with either DSLRs or Video Cinema Cameras.

Please fill the form below to the best of your ability. You may be reached out with further clarifications. If your form is approved, you will receive an add code to register for the course. (Note: applications will be time stamped, and qualified applicants will be added to remaining class spots on an equitable basis determined by time of application and remaining time in the program.

The application will go live on Monday, November 3rd at 5:45 AM: https://forms.office.com/Pages/ResponsePage.aspx?id=W9229i_wGkSZoBYqxQYL0gQXiIHyAPFBsf0wd7UK0I5UOE01MDFENUpSUjI4WjBJQllNMjhNTVY4VC4u

Here are the questions on the form to help you prepare before it goes live:

Full Name
UW Email

Have you taken (or are currently taking) COMMLD 531: Foundations of Video Storytelling?

If you have not taken the Foundations of Video Storytelling course, do you have other comparable experience? We do not cover basics of how to use gear or software in this class, we focus largely on client relations and storytelling principles so you need to have a solid foundation of video creation methods in order to succeed. Please provide examples of your work if applicable.

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COMMLD 535: Foundations of Audio Storytelling

(

)

- 2025-2026 | Spring 2026

Track Neutral | 5 Credits
Thursdays 4/2 – 6/4, 6:00pm – 9:50pm | Room on Time Schedule

Course Description

The podcasting industry has surged in recent years, with podcasts also becoming an increasingly important part of marketing and communication campaigns. Since it is the only medium that audiences can consume while engaged in a multitude of other activities, audio storytelling has a unique advantage to inform, entertain and call to action.

This course will teach you how to use audio to tell a powerful story. You will learn how to create your own short sound-rich, nonfiction audio story driven by characters and scenes. You will move through the process of research, reporting, interviewing, writing, editing, and mixing an audio story, as well as pitching a story for radio or podcast. By the end of the class you will have a working knowledge of the basics of audio storytelling and production. You will feel more confident about how to support visual storytelling with audio, as well as how to work with a larger production team on audio projects.

This course is a good match for students who:

 Are seeking an individualized, project-based course

 Want foundational storytelling and editing skills that can translate into any medium

 Would like to learn how audio can elevate and transform storytelling

This class greatly elevated my ability to concisely tell stories!Jacob Christensen, Foundations of Video and Advanced Video Practicum Instructor, and MCDM cohort ‘15 alumni

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COMMLD 535: Foundations of Audio Storytelling

(

)

- 2025-2026 | Spring 2026

Track Neutral | 5 Credits
Wednesdays 4/1 – 6/3, 6:00pm – 9:50pm | Room on Time Schedule

Course Description

The podcasting industry has surged in recent years, with podcasts also becoming an increasingly important part of marketing and communication campaigns. Since it is the only medium that audiences can consume while engaged in a multitude of other activities, audio storytelling has a unique advantage to inform, entertain and call to action.

This course will teach you how to use audio to tell a powerful story. You will learn how to create your own short sound-rich, nonfiction audio story driven by characters and scenes. You will move through the process of research, reporting, interviewing, writing, editing, and mixing an audio story, as well as pitching a story for radio or podcast. By the end of the class you will have a working knowledge of the basics of audio storytelling and production. You will feel more confident about how to support visual storytelling with audio, as well as how to work with a larger production team on audio projects.

This course is a good match for students who:

 Are seeking an individualized, project-based course

 Want foundational storytelling and editing skills that can translate into any medium

 Would like to learn how audio can elevate and transform storytelling

This class greatly elevated my ability to concisely tell stories!Jacob Christensen, Foundations of Video and Advanced Video Practicum Instructor, and MCDM cohort ‘15 alumni

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COMMLD 560B: Communicating Across Power and Identities

(

Ross

)

- 2022-2023 | Autumn 2022

Track Neutral | 2 Credits
Tuesdays 10/04-12/06, 6:00PM – 7:50PM | DEN 258
Registration SLN: 13028

Course Description:

This course provides a primer on concepts of identity, power, privilege, and systems of oppression. Through reflective writing and facilitated discussions of curated readings students explore how their personal and professional identities impact their effectiveness in communicating across interpersonal difference. Designed to welcome those who may have previously avoided discussing uncomfortable topics, this introductory course empowers students with modes of inquiry that enable their essential self-examination and self-preparation for any future equity-related organizational collaborations.

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COMMLD 546 A/B: Professional Long-Form Writing

(

Crofts

)

- 2024-2025 | Winter 2025

Track Neutral | Meets Professional Writing Requirement (3 or 5 credit) or Research Methods Requirement (5 Credit) | 3 or 5 Credits | CMU 126
Sundays 1/12, 1/26, 2/9, 9:00am – 5:00pm | 3-credit section 546A | Registration SLN: 12717
Sundays 1/12, 1/26, 2/9, 2/23, 3/9, 9:00am – 5:00pm | 5-credit section 546B | Registration SLN: 12718

Please note: 546A is 3 credits, and 546B is 5 credits. These courses will run concurrently. Students registered for 546A (3 credits) will attend the first three dates, and students registered for 546B (5 credits) will attend all five dates.

Course Description:

Have you ever read an in-depth piece online that so moved you or shifted your thinking that you immediately sent it on to a friend or colleague? The “long-form” medium offers the writer ample space for synthesis, critique, and personal stories to capture the imagination, change the conversation, and inspire action. With a broad selection of writers, leaders, and cultural commentators as curricular guides, this course invites each student to hone their long-form professional writing skills (>1000 words) and deepen their understanding of the current professional communication long-form landscape.

With scaffolded steps to refine their writing voice and scope, this course serves both students with writing experience, as well as those keen to develop this foundational skill. All students are invited to submit their final piece for inclusion in the Spring 2025 volume of the online journal Mind Shift. In addition, we will consider the evolution of platforms, from colonial-era pamphlets to today’s crowded community of digital newsletters.

Anita teaches invaluable research and writing skills that pushed me to become a more curious thinker. She encourages her students to dive into multifaceted research on your choice of subject and produce a polished long-form piece. As a brand marketing professional, I’ve applied what I learned in Anita’s class by practicing clear written communication and empathetic collaboration. —Amanda Chou, MCCN cohort ‘22 alumni 

3-credit class Meets Professional Writing Requirement.

5-credit class meets either Research Methods or Professional Writing requirement. Class cannot be used to meet both requirements.

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COMMLD 533: Storytelling for Emergent Platforms

(

Cioffi

)

- 2024-2025 | Spring 2025

MCDM Elective | 5 Credits
Saturdays 4/12, 4/26, 5/10, 5/24, 6/7, 9:00am – 5:00pm | Multiple Locations, listed in description
SLN: 12582

Course Description

Emerging models of interactive and immersive storytelling are disrupting how we reach and engage with audiences. In this course we will examine the unique ways that media and user-generated content can tell one cohesive story across platforms in a distributed way; and how this is a pivotal part of the current and future Web 3.0 ecosystem. We will focus our design thinking on audience engagement, UX, built worlds for interactive experiences, and the role of AI as a tool, an assistant, and a platform– students will learn about best-practice uses of VR/AR, branch narratives, game development and integration of traditional video in mobile UX.  We will be coupling a critical look at these emerging models while working through the technical aspects of story creation and the implementation of media production tools and platforms. 

This will be a project-based course through which students will acquire the strategy and skills to make informed design decisions, develop and use of immersive storytelling processes. Previous media production, web development or game design is not necessary, though a willingness to learn and play with the underlying technologies is a must.

4/12, 5/10, 6/7 will be at The Cloud Room: 1421 11th Ave Ste 400, Seattle WA 98122

4/26, 5/24 will be at CMU 230

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COMMLD 533: Storytelling for Emergent Platforms

(

)

- 2025-2026 | Current Quarter | Winter 2026

MCDM Elective | 5 Credits
Saturdays 1/10, 1/24, 2/7, 2/21, 3/7 | Off-site Location, see SharePoint
Registration SLN: 22265

Course Description

Emerging models of interactive and immersive storytelling are disrupting how we reach and engage with audiences. In this course we will examine the unique ways that media and user-generated content can tell one cohesive story across platforms in a distributed way; and how this is a pivotal part of the current and future Web 3.0 ecosystem. We will focus our design thinking on audience engagement, UX, built worlds for interactive experiences, and the role of AI as a tool, an assistant, and a platform– students will learn about best-practice uses of VR/AR, branch narratives, game development and integration of traditional video in mobile UX.  We will be coupling a critical look at these emerging models while working through the technical aspects of story creation and the implementation of media production tools and platforms. 

This will be a project-based course through which students will acquire the strategy and skills to make informed design decisions, develop and use of immersive storytelling processes. Previous media production, web development or game design is not necessary, though a willingness to learn and play with the underlying technologies is a must.

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COMMLD 560C: Wellness Narratives

(

Bradshaw

)

- 2022-2023 | Autumn 2022

Track Neutral | Meets Research Methods Requirement | 5 Credits
Mondays 10/03-12/05, 6:00PM – 9:50PM | DEN 258
Registration SLN: 13029

Course Description:

This course dives into wellness and well-being as central concepts to mental, physical, and emotional modes of health in the 21st century.  What does wellness and wellbeing mean as part of our modern lives? We will explore the historical rise of self-help narratives during the turn of the 20th Century through advertising and therapy culture. From there, we will explore the rise of consumerism and health through the television set and formats like Reality TV and the Talk Show to better understand the evolution of wellness into the 21th century. This framing will help us consider health and wellness as part of a complex media ecosystem. That is, 20th century cultural anxieties of the physical and mental body, including the focus on losing unwanted weight and detoxifying the body from various ailments carries into the contemporary moment. Topics for the course will include productivity, health, corporate and social responsibility, clutter, burnout, and more.  The goal of this course is for students to better understand the historical, cultural, economic and technological foundations of wellness specifically in the United States and why this history matters. Students will research and write a White Paper focused on a particular wellness issue. The final assignment helps showcase the student’s ability to do preliminary research while taking complex ideas and distilling them into an understandable paper for an executive audience. We will do weekly reflective journal exercises throughout the quarter that engage with the readings and screenings from the course. Come prepared to engage in discussion, deep dive into wellness research, and hone your writing skills!

Meets Research Methods Requirement.

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COMMLD 544: Professional Short-Form Writing

(

Tomasic

)

- 2023-2024 | Autumn 2023

Track Neutral | Meets Professional Writing Requirement | 3 Credits
Wednesdays 9/27-12/6, 6:00PM – 8:20PM | CMU 302
Registration SLN: 13017

Course Description

This collaborative hands-on course explores the kind of short-form writing that dominates today’s rapidly evolving professional communications space — the digital space where lines between content and form increasingly blur and where always-on media feeds deliver a mix of advertising, marketing, public relations, human resources, personal brand-building and journalistic reporting and research. It’s a space that presents new writing challenges every day: professional emails, office memos, newsletters, website copy, funding proposals, executive summaries, op-eds, tweets, blurbs, blogs. Much of this material is badly done. Most of it is mediocre. The best of it, though, sings out and demands our attention, demonstrating mastery in the kind of critical thinking and dedicated practice that delivers copy sharply focused and sure in matching voice and material with form and audience. This course is part professional-communications criticism class and part writing workshop. It’s about learning how to identify good writing; it’s about understanding the process that produces good writing; and it’s about practicing that process yourself.

Meets Professional Writing Requirement.

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COMMLD 534: Visual Storytelling: From Comics to Transmedia

(

Salkowitz

)

- 2024-2025 | Spring 2025

MCDM Elective | 5 Credits
Saturdays 4/5, 4/19, 5/3, 5/17, 5/31, 9:00am – 5:00pm | CMU 126
SLN: 12583

Course Description

This course will provide you with a solid understanding of the medium of sequential art and visual narrative (aka “comics”) and the practical ability to incorporate visual storytelling into traditional, digital, and transmedia projects in a variety of entertainment, business, education, social and journalistic scenarios.

Why comics? Comics and sequential art have gone from the margins of popular culture to the center of a multi-billion dollar global industry and a respected art-form. Many of the most popular movies, television, video games and transmedia projects are adapted from comics and/or depend heavily on storytelling styles that originated with this unique medium. Issues of digital distribution, adaptation and audience engagement that arise in today’s “comics culture” affect the future of publishing, technology, social media and gaming. Beyond the world of entertainment, the principles of visual narrative are becoming fundamental to all manner of storytelling projects, global initiatives and creative enterprises.

This is one of our long-running classes taught by Rob Salkowitz, who is a bit of a legend among our alumni who cite this class as one of their all-time favorites. Students sometimes overlook this class because it has “comics” in the title and think it can’t possibly relate to their career aspirations. Take advantage of this misperception and sign up for this class! –Gretchen Ludwig, Associate Director

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COMMLD 560D: Communication for Change Management

(

Hall

)

- 2022-2023 | Autumn 2022

Track Neutral | 3 Credits
Saturdays – In-Person (10/1: 9:00AM-5:00PM), Online (11/5 and 12/3: 9:00AM-1:00PM) | CMU 126
Registration SLN: 13030

Course Description:

The world we live in continues to change at an intense rate. In order to succeed in this uncertain future, organizations must adapt to tough market conditions by changing their strategies, their structures and infrastructures, their boundaries, their mindsets, their leadership behaviors and of course their expectations of the people who work within them. The COVID-19 pandemic has shocked the global health care system and the global economy. The Seattle Times reported in April 2020 that the global economy will suffer the worst year since the Great Depression of 1930.  There could not be a more critical time to take a course on change management. Key skills taught in this course will prepare a professional for the shifting workforce.  Upon completing the course, students will be able to guide organizations to implement change management programs that support employees and reflect organizational culture.

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COMMLD 535: Foundations of Audio Storytelling (e.g. Podcasting)

(

Partnow

)

- 2024-2025 | Spring 2025

Track Neutral | 5 Credits
Tuesdays 4/1 – 6/3, 6:00pm – 9:50pm | CMU 302
SLN: 12584

Course Description

The podcasting industry has surged in recent years, with podcasts also becoming an increasingly important part of marketing and communication campaigns. Since it is the only medium that audiences can consume while engaged in a multitude of other activities, audio storytelling has a unique advantage to inform, entertain and call to action.

This course will teach you how to use audio to tell a powerful story. You will learn how to create your own short sound-rich, nonfiction audio story driven by characters and scenes. You will move through the process of research, reporting, interviewing, writing, editing, and mixing an audio story, as well as pitching a story for radio or podcast. By the end of the class you will have a working knowledge of the basics of audio storytelling and production. You will feel more confident about how to support visual storytelling with audio, as well as how to work with a larger production team on audio projects.

This course is a good match for students who:

Are seeking an individualized, project-based course

Want foundational storytelling and editing skills that can translate into any medium

Would like to learn how audio can elevate and transform storytelling

This class greatly elevated my ability to concisely tell stories!Jacob Christensen, Foundations of Video and Advanced Video Practicum Instructor, and MCDM cohort ‘15 alumni

{ Expand Course Description + }