Classes

Classes are designed to challenge your thinking and develop your professional skills. You’ll leave each class with a unique set of tools to approach new communications challenges.

Tailor your experience to your career goals by focusing on one of eight areas of specialization. Use the search widget below to sort classes by quarter, specialization, instructor and degree track for each quarter. Get a comprehensive view of the full academic year in our Course Guide.

View the University of Washington Academic Calendar for important dates, including quarter start and end dates, registration dates and deadlines, and campus holidays.

Registration numbers (SLNs) are located on the Time Schedule. Please read the Department’s statement on internet resource requirements for access to courses.

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COMMLD 544: Professional Short-Form Writing

(

Tomasic

)

- 2022-2023 | Autumn 2022

Track Neutral | Meets Professional Writing Requirement | 3 Credits
Wednesdays 09/28-12/07, 6:00PM – 8:20PM | CMU 302
Registration SLN: 13025

Course Description:

This collaborative hands-on course explores the kind of short-form writing that dominates today’s rapidly evolving professional communications space — the digital space where lines between content and form increasingly blur and where always-on media feeds deliver a mix of advertising, marketing, public relations, human resources, personal brand-building and journalistic reporting and research. It’s a space that presents new writing challenges every day: professional emails, office memos, newsletters, website copy, funding proposals, executive summaries, op-eds, tweets, blurbs, blogs. Much of this material is badly done. Most of it is mediocre. The best of it, though, sings out and demands our attention, demonstrating mastery in the kind of critical thinking and dedicated practice that delivers copy sharply focused and sure in matching voice and material with form and audience. This course is part professional-communications criticism class and part writing workshop. It’s about learning how to identify good writing; it’s about understanding the process that produces good writing; and it’s about practicing that process yourself.

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COMMLD 531: Foundations of Video Storytelling

(

Christensen

)

- 2022-2023 | Winter 2023

MCDM Elective | 5 Credits
Tuesdays 1/3 – 3/7, 6:00PM – 9:50PM | CMU 302
Registration SLN: 12782

Course Description:

The landscape of web-distributed video can be broadly divided into two motifs: Entertainment and Information. From YouTube to Facebook, AR to VR, Twitch to Facebook Live, online video is a storytelling revolution.

Storytelling has been part of the human experience since the formation of language. Today, the technology that surrounds the “tell” of a story (the modes and channels of communication) directly shapes the immersive experience felt by the viewer.

This course focuses on the decisions we make when we tell our stories. This course is both theoretical and practical. Students will be afforded the skills to create and distribute video stories. Additionally, students will be expected to display critical thinking around point of view, audience targeting, ROI success criteria, methodology, and production standards. You are expected to exercise the craft of content creation while at the same time critically evaluating and deconstructing content you see in the marketplace.

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COMMLD 534: Visual Storytelling: From Comics to Transmedia

(

Salkowitz

)

- 2022-2023 | Spring 2023

MCDM Elective | 5 Credits
Saturdays 4/1, 4/15, 4/29, 5/13, 6/3, 9:00AM – 5:00PM | CMU 126
SLN: 12560

Course Description

This course will provide you with a solid understanding of the medium of sequential art and visual narrative (aka “comics”) and the practical ability to incorporate visual storytelling into traditional, digital, and transmedia projects in a variety of entertainment, business, education, social and journalistic scenarios. Why comics? Comics and sequential art have gone from the margins of popular culture to the center of a multi-billion dollar global industry and a respected art-form. Many of the most popular movies, television, video games and transmedia projects are adapted from comics and/or depend heavily on storytelling styles that originated with this unique medium. Issues of digital distribution, adaptation and audience engagement that arise in today’s “comics culture” affect the future of publishing, technology, social media and gaming. Beyond the world of entertainment, the principles of visual narrative are becoming fundamental to all manner of storytelling projects, global initiatives and creative enterprises. This class will explore the history and potential of comics as a storytelling medium in the digital age in both media studies and business dimension, incorporating both theory and practice.

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COMMLD 531: Foundations of Video Storytelling

(

Christensen

)

- 2024-2025 | Autumn 2024

MCDM Elective | 5 Credits
Tuesdays 10/1 – 12/3, 6:00pm – 9:50pm | CMU 302
Registration SLN: 13061

Course Description

Approximately 183 hours of content is uploaded to YouTube every minute. Video isn’t the future of marketing, the revolution is already here and how brands leverage that storytelling capability sets them apart from the competition.

Whether you want to create video content as a full time job or you want to have the skill set in your back pocket as you navigate your communications career, this class will provide a strong foundation for maximizing video content in your marketing endeavors.

We will go over basics of how to use cameras but we will also talk about why content is successful and how we can best emulate those formulas. You are expected to exercise the craft of content creation while at the same time critically evaluating and deconstructing content you see in the marketplace.

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COMMLD 531: Foundations of Video Storytelling

(

)

- 2025-2026 | Autumn 2025

MCDM Elective | 5 Credits
Tuesdays 9/30 – 12/2, 6:00pm – 9:50pm | Room on Time Schedule
Registration SLN: 13019

Course Description

Approximately 183 hours of content is uploaded to YouTube every minute. Video isn’t the future of marketing, the revolution is already here and how brands leverage that storytelling capability sets them apart from the competition.

Whether you want to create video content as a full time job or you want to have the skill set in your back pocket as you navigate your communications career, this class will provide a strong foundation for maximizing video content in your marketing endeavors.

We will go over basics of how to use cameras but we will also talk about why content is successful and how we can best emulate those formulas. You are expected to exercise the craft of content creation while at the same time critically evaluating and deconstructing content you see in the marketplace.

This course is a good match for students who:

• Want to work in marketing and have a foundational knowledge of how compelling video content is created

• Want to specialize in video content creation long term

• Are prepared for a time consuming and rigorous learning experience

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COMMLD 533: Storytelling for Emergent Platforms

(

Cioffi

)

- 2022-2023 | Winter 2023

MCDM Elective | 5 Credits
Saturdays 1/14, 1/28, 2/11, 2/25, 3/11, 9:00AM – 5:00PM | Startup Hall (2nd Floor in Condon Hall)
Registration SLN: 12783

Course Description:

Emerging models of interactive and immersive storytelling are disrupting the ways we can reach and engage with audiences. In this course  we will examine the unique ways that media and user generated content can tell one cohesive story across platforms in a distributed way; and how this is a pivotal a part of the current and future Web 3.0 ecosystem. We will focus our design thinking on audience engagement, UX, built worlds for virtual and interactive experiences, and the role of trust and truth in platforms – students will learn about best practice uses of VR/AR, branch narratives, game development and integration of traditional video in mobile UX.  We will be coupling a critical look at these emerging models while working through the technical aspects of story creation and the implementation of media production tools and platforms. This will be a project-based course through which students will acquire the strategy and skills to make informed design, development and use of immersive storytelling processes. Previous media production, web development or game design is not necessary, though a willingness to learn and play with the underlying technologies is a must.

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COMMLD 535: Foundations of Audio Storytelling

(

Partnow

)

- 2023-2024 | Autumn 2023

Track Neutral | 5 Credits
Tuesdays 10/3-12/5, 6:00PM – 9:50PM | CMU 230
Registration SLN: 13011

Course Description

The podcasting industry has surged in recent years, with podcasts also becoming an increasingly important part of marketing and communication campaigns. Since it is the only medium that audiences can consume while engaged in a multitude of other activities, audio storytelling has a unique advantage to inform, entertain and call to action.

This course will teach you how to use audio to tell a powerful story. You will learn how to create your own short sound-rich, nonfiction audio story driven by characters and scenes. You will move through the process of research, reporting, interviewing, writing, editing, and mixing an audio story, as well as pitching a story for radio or podcast. By the end of the class you will have a working knowledge of the basics of audio storytelling and production. You will feel more confident about how to support visual storytelling with audio, as well as how to work with a larger production team on audio projects.

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COMMLD 532: Advanced Video Storytelling

(

Christensen

)

- 2023-2024 | Spring 2024

MCDM Elective | 5 Credits
Saturdays 4/6, 4/20, 5/4, 5/18, 6/1, 9:00am – 5:00pm | Collective Chemistry – 5201 11th Ave NW, Seattle, WA 98107
Application Required

Course Description

The world of video production is a mysterious and ambiguous place consisting of freelancers, business owners, and in-house roles. In this course students will learn how to add structure to their client interactions, how to ensure that they’re delivering content that fits their client’s needs, and how to navigate studio-based filming environments. Class will consist of qualitative analysis of how to approach storytelling problems as well as hands-on experiences with advanced camera gear in a professional setting. Students will collaborate in teams throughout the quarter to create one short video for a real-world client.

Students must prove their proficiency in video production to register for this course by meeting the minimum qualifications:

1. Proficient experience in editing video on the following platforms: Adobe Premiere, Final Cut Pro, and/or DaVinci Resolve.

2. Experience in shooting video with either DSLRs or Video Cinema Cameras.

Please fill the form below to the best of your ability. You may be reached out with further clarifications. If your form is approved, you will receive an add code to register for the course. (Note: applications will be time stamped, and qualified applicants will be added to remaining class spots on an equitable basis determined by time of application and remaining time in the program.

The application will go live on Friday, February 9, 2024 at 6:30 AM and can be found here: https://forms.office.com/r/7q5gTRMwGL

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COMMLD 521: Digital Media Branding & Marketing

(

)

- 2025-2026 | Current Quarter | Winter 2026

MCDM Elective | 5 Credits
Wednesdays, 1/7 – 3/11, 6:00pm – 9:50pm | Online
Registration SLN: 12648

Course Description

This course is designed for students who will be utilizing their education and experience in the marketing career tracks or in leadership functions where an understanding of marketing is critical. The focus of the course will be on how to build a brand online or extend a legacy brand digitally by applying marketing fundamentals and examining how the most interesting and dynamic brands operate today. We will simulate brand management and building campaigns for real-world brands and explore how they reach target customers to meet objectives and participate in online culture. While online platforms have offered us many more opportunities and “shiny objects” to reach and communicate with customers, the fundamental marketing skills and theories don’t change much or quickly. Learning to be strategic about how to apply these fundamentals will allow students to remain flexible and relevant.

This class is a good match for students who:

• want to build expansive, omni-channel marketing strategies and tactics for brand building

• want to develop a CMO view of brand management and building marketing capabilities

• want to learn to create a portfolio-level brand plan

Honestly, this class felt like years of experience packed in ten weeks. As someone who has worked with marketers but has never taken any marketing courses before this one, my perception of branding and digital marketing evolved constantly week by week. Having theoretical and practical experience throughout this course truly gave me a well-rounded experience. previous student, Digital Media Branding & Marketing

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COMMLD 535: Foundations of Audio Storytelling

(

Perry

)

- 2022-2023 | Winter 2023

Track Neutral | 5 Credits
Wednesdays 1/4 – 3/8, 6:00PM – 9:50PM | CMU 302
Registration SLN: 22243

Course Description:

Whether gathered around a radio in a living room or walking plugged in with headphones, the medium of audio storytelling has always offered the opportunity to build a mindset-shifting community around content. This course traces the evolution of audio storytelling from radio to podcasting that links to communities for various purposes: to educate, to entertain, and to inspire action — and the new golden age of podcasting that we find ourselves in means that audio storytelling has the potential for broad reach and powerful impact. Consideration is given to the core characteristics of strong storytelling, observed through an auditory filter. Class materials are twinned with a selection of cross-sector guest speakers who bring their own craft perspective. Students will experiment with designing their own short audio pieces.

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COMMLD 535: Foundations of Audio Storytelling

(

Partnow

)

- 2024-2025 | Autumn 2024

Track Neutral | 5 Credits
Tuesdays 10/1 – 12/3, 6:00pm – 9:50pm | PCAR 297
Registration SLN: 13063

Course Description

The podcasting industry has surged in recent years, with podcasts also becoming an increasingly important part of marketing and communication campaigns. Since it is the only medium that audiences can consume while engaged in a multitude of other activities, audio storytelling has a unique advantage to inform, entertain and call to action.

This course will teach you how to use audio to tell a powerful story. You will learn how to create your own short sound-rich, nonfiction audio story driven by characters and scenes. You will move through the process of research, reporting, interviewing, writing, editing, and mixing an audio story, as well as pitching a story for radio or podcast. By the end of the class you will have a working knowledge of the basics of audio storytelling and production. You will feel more confident about how to support visual storytelling with audio, as well as how to work with a larger production team on audio projects.

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COMMLD 535: Foundations of Audio Storytelling (e.g. Podcasting)

(

)

- 2025-2026 | Autumn 2025

Open Elective | 5 Credits
Tuesdays 9/30 – 12/2, 6:00pm – 9:50pm | Room on Time Schedule
Registration SLN: 13021

Course Description

The podcasting industry has surged in recent years, with podcasts also becoming an increasingly important part of marketing and communication campaigns. Since it is the only medium that audiences can consume while engaged in a multitude of other activities, audio storytelling has a unique advantage to inform, entertain and call to action.

This course will teach you how to use audio to tell a powerful story. You will learn how to create your own short sound-rich, nonfiction audio story driven by characters and scenes. You will move through the process of research, reporting, interviewing, writing, editing, and mixing an audio story, as well as pitching a story for radio or podcast. By the end of the class you will have a working knowledge of the basics of audio storytelling and production. You will feel more confident about how to support visual storytelling with audio, as well as how to work with a larger production team on audio projects.

This course is a good match for students who:

Are seeking an individualized, project-based course

Want foundational storytelling and editing skills that can translate into any medium

Would like to learn how audio can elevate and transform storytelling

This class greatly elevated my ability to concisely tell stories!Jacob Christensen, Foundations of Video and Advanced Video Practicum Instructor, and MCDM cohort ‘15 alumni

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COMMLD 534: Visual Storytelling: From Comics to Transmedia

(

Salkowitz

)

- 2023-2024 | Spring 2024

MCDM Electrive | 5 Credits
Saturdays 3/30, 4/13, 4/27, 5/11, 5/25, 9:00am – 5:00pm | CMU 302
Registration SLN: 12562

Course Description

This course will provide you with a solid understanding of the medium of sequential art and visual narrative (aka “comics”) and the practical ability to incorporate visual storytelling into traditional, digital, and transmedia projects in a variety of entertainment, business, education, social and journalistic scenarios. Why comics? Comics and sequential art have gone from the margins of popular culture to the center of a multi-billion dollar global industry and a respected art-form. Many of the most popular movies, television, video games and transmedia projects are adapted from comics and/or depend heavily on storytelling styles that originated with this unique medium. Issues of digital distribution, adaptation and audience engagement that arise in today’s “comics culture” affect the future of publishing, technology, social media and gaming. Beyond the world of entertainment, the principles of visual narrative are becoming fundamental to all manner of storytelling projects, global initiatives and creative enterprises. This class will explore the history and potential of comics as a storytelling medium in the digital age in both media studies and business dimension, incorporating both theory and practice.

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COMMLD 537: Principles of Storytelling for Social Impact

(

Kessler

)

- 2024-2025 | Winter 2025

Track Neutral | 5 Credits
Saturdays In Person 1/11, Online 1/25, 2/8, 2/22, In Person 3/8, 9:00am – 5:00pm | CMU 126
Registration SLN: 12712

Course Description:

Storytelling for Social Impact is a foundational class that focuses on the art and craft of nonfiction storytelling to communicate ideas and emotion, build relationships and community, promote change and inspire action. The class reflects the need in all sectors for superb storytelling. 

The class explores, investigates and discusses the elements of narrative — what makes a story a story – and looks at examples of nonfiction storytelling across media (text, sound, still image, moving image and multimedia combinations). This platform-agnostic, birds-eye view of story is about learning how to reframe/ reconceptualize “information” and “report” as story, how to locate the small story that illuminates the larger issue, and what it takes to produce such work.

At its heart, the class is about learning how to conceptualize issues, topics, brands, and ideas as narratives. Students will learn to “think story,” to pinpoint, pitch and gather material for the production of original, compelling and persuasive content.

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COMMLD 530A: Storytelling with Data

(

)

- 2025-2026 | Current Quarter | Winter 2026

MCDM Elective | 5 Credits
Thursdays 1/8 – 3/12, 6:00pm – 9:50pm | Room on Time Schedule
Registration SLN: 12649

Course Description:

This course teaches students to assemble visual evidence in service of a narrative story. It reflects the new reality that information graphics, maps, and data visualizations are no longer a supplement to text stories created by dedicated service desks, but are free-standing items produced by cross-disciplinary journalists with skills in data reporting and visual presentation.

This course leads students through the process of reporting, analyzing, and presenting a data-driven infographic feature story. Students will explore the gamut of influential and impactful visual stories: an explainer on Covid-19 transmission (the Washington Post’s most popular story of all time); articles exploring California wildfires and street protests in Hong Kong; and stories exploring larger historical and cultural themes like the rise of Confederate statues and such cultural questions as: why are women’s pants pockets so small and K-pop bands so big?

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COMMLD 537: Storytelling for Social Impact

(

Kessler

)

- 2022-2023 | Winter 2023

Track Neutral | 5 Credits
Saturdays (In-Person) 1/7, (Online) 1/21, 2/4, 2/18, (In-Person) 3/4, 9:00AM – 5:00PM | CMU 126
Registration SLN: 12784

Course Description:

Thinking Story is a foundational class that focuses on the art and craft of nonfiction storytelling to communicate ideas and emotion, build relationships and community, promote change and inspire action. The class reflects the need in all sectors for superb storytelling. The class explores, investigates and discusses the elements of narrative — what makes a story a story – and looks at examples of nonfiction storytelling across media (text, sound, still image, moving image and multimedia combinations). This platform-agnostic, birds-eye view of story is about learning how to reframe/ reconceptualize “information” and “report” as story, how to locate the small story that illuminates the larger issue, and what it takes to produce such work. At its heart, the class is about learning how to conceptualize issues, topics, brands, and ideas as narratives. Students will learn to “think story,” to pinpoint, pitch and gather material for the production of original, compelling and persuasive content.

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