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Classes are designed to challenge your thinking and develop your professional skills. You’ll leave each class with a unique set of tools to approach new communications challenges.

Tailor your experience to your career goals by focusing on one of eight areas of specialization. Use the search widget below to sort classes by quarter, specialization, instructor and degree track for each quarter. Get a comprehensive view of the full academic year in our Course Guide.

View the University of Washington Academic Calendar for important dates, including quarter start and end dates, registration dates and deadlines, and campus holidays.

Registration numbers (SLNs) are located on the Time Schedule. Please read the Department’s statement on internet resource requirements for access to courses.

COM 597: Graphic Storytelling as Communication Platform

(

Salkowitz

)

- 2016-2017 | Spring

MCDM Elective
Saturdays, April 8, 22, May 6, 20, and June 3, 9-5pm | CMU 126

Course Description:

Understanding how to use words and pictures in combination to tell stories is a core competency for communicators in the digital era. This class will provide you with a solid understanding of the medium of sequential art and visual narrative (aka “comics”) and the practical ability to incorporate visual storytelling into traditional, digital, and transmedia projects in a variety of entertainment, business, education, social and journalistic scenarios. Why comics? Comics and sequential art have gone from the margins of popular culture to the center of a multi-billion dollar global industry and a respected art-form. Many of the most popular movies, television, videogames and transmedia projects are adapted from comics and/or depend heavily on storytelling styles that originated with this unique medium. Issues of digital distribution, adaptation and audience engagement that arise in today’s “comics culture” affect the future of publishing, technology, social media and gaming. Beyond the world of entertainment, the principles of visual narrative are becoming fundamental to all manner of storytelling projects, global initiatives and creative enterprises. This class will explore the history and potential of comics as a storytelling medium in the digital age in both a media studies and business dimension, incorporating both theory and practice. We will look at the anatomy of the medium in all its forms; study how comics are used in entertainment, literary, documentary, journalistic, educational, training and business communications contexts; examine the challenges of bringing comic-based subject matter to other media; explore the business issues associated with the explosion of comics in the wider culture; and create an original digital transmedia project incorporating the visual language of comics.

Student Testimonial:

“For the uninitiated in transmedia, it’s a crash course in visual storytelling and pop culture. For those familiar with transmedia, it offers a series of case studies in what you can do right or wrong in transmedia campaigns. The class definitely emphasizes comics, so while it’s not necessary to have an extensive knowledge of that format, it’s definitely for someone who’s curious about them. I was surprised to learn that a degree of visual abstraction can actually enhance storytelling. Rather than using a more precise visual format, such as photography or accurate illustrations of reality, using caricatures lets a person’s imagination fill in the gaps. I also found the study of the more formal aspects of comics to be very interesting. The all-day Saturday sessions went surprisingly fast. Rob does a great job of mixing up the class between discussion, lecture, guests, and video. Still, it’s not for the faint of heart, so if you’re going to take the class, plan on committing your Saturdays. You don’t want to miss a class.”

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COM 583: Multimedia Storytelling: Immersive Production Studio

(

Macklin

)

- 2016-2017 | Spring

MCDM Elective
Wednesday, 3/27/17-6/2/17, 6-9:50pm | CMU 318E

Course Description:

Emerging models of interactive and immersive (full & any screen, scrolling and responsive) storytelling are disrupting the ways we can reach and engage with our constituents. This course in Studio Production will have a deep concentration on the production aspects and development tools necessary to create Snow Fall-like immersive web stories. We will be coupling a critical look at these emerging models while working through the technical aspects of story creation and the implementation of web deveopment tools and platforms (HTML 5 & jQuery). This will be a project-based course through which students will acquire the strategy and skills to make informed designs about the development and use of immersive storytelling processes. Previous multimedia production and web development is not necessary, though a willingness to learn and play with the underlying technologies is a must.

Student Testimonial:

“This class blends multimedia storytelling and places it into a digital context. We used different mediums (video, text, photos, maps, and more,) to tell a story. Not only do we get to tell a story, but we also are guided in the technical aspects of video, photography, and web design. There are more practical skills actually used in this class than I can count on my fingers and toes! I really learned the importance of setting a scene. My previous degree is in filmmaking, and it seems like in longer-format storytelling (films, novels, etc) you can take more time building the landscape of a story. However, in digital storytelling, it is essential to get your visual ‘lede’ line – Having a map, photo, or video to set the scene of your story is essential to get your point across succinctly and clearly. Brevity is the soul of wit (and the internet). I really enjoyed that the class had both structure and freedom. We had a well defined storytelling goal to achieve for the class, but Scott opened up the way we told it to as many ways as we wanted to. This gave everyone the ability to choose which digital platforms to use and to perfect. While we all had to create a website, (with certain grade requirements – one video, photos, etc), it was up to us which web platform we used, and how much detail we put into individual aspects of the story. For instance, if a student wanted to really focus on good film, they could do that while selecting an easier web platform to plug their video into. Or, if a student wanted to really focus on building a detailed website, they could do that and be able to add shorter videos. The flexibility to work on your own strengths and interest in storytelling was really great.”

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COM 558: Law of Digital Media, Interactive Media, and Content

(

Baker

)

- 2016-2017 | Spring

MCDM Elective, Meets Law & Ethics Requirement
Thursday, 3/27/17-6/2/17, 6-9:50pm | CMU 302

Course Description:

The law of digital media, interactive media and social media has facilitated the growth of multimedia storytelling, interactivity, and the explosion of collaborative consumption. Understanding when and how one can remix, reuse, republish, and remake content is critical to any organization’s successful advertising, content creation, distribution, and publication. This course will explore the legal issues surrounding free expression, content production and publication, intellectual property (with a special emphasis on copyright and fair use), and advertising. This course is designed both as a stand-alone course to satisfy the law and policy requirement of the program and as a companion to the data security and privacy law course offered in the Fall, which focuses more on data usage, privacy and security, FTC regulatory issues and intellectual property issues around data and analytics.

Student Testimonial:

“Law & Policy is usually among the favorites of each cohort, and I completely understand that! Kraig is an incredibly knowledgeable professor who is detail oriented, and cares deeply about getting his students interested in the material. Law seems like a boring subject at first, but he makes sure that the material is tailored to the interests of each class and gives his students the freedom to adapt the course to their passions and learning styles. Also, this course is incredibly relevant to many questions we always have looming over our heads about copyright and content. This subject will continuously be relevant, and Kraig does a great job at making sure you’re confident in that.”

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COM 597: Advanced Content Strategy and the Future of Communication

(

Holmberg

)

- 2016-2017 | Spring

MCDM Elective, Meets Research Methods Core Requirement
Mondays, 3/27/17-6/5/17, 6-9:50pm | COM 126

Course Description:

This course will focus on advanced content strategy, in two senses of “advanced”: both as the next level of the skills taught in the intro courses, and as next wave content strategy as it relates to the advancement of emerging technologies. We will therefore build off of skills learned in the foundational content strategy courses, while looking simultaneously toward the future of the discipline and the hypothetical technologies of tomorrow.

For the advanced skills, we will take deeper dives into some of the core content strategy skills, including journey mapping, information architecture, and teardowns. Our goal with these tools will be to focus on the strategy which informs how we build products that solve real user problems.

We will also look “beyond the screen” to apply these content strategy tools to the Internet of Things, VR, AR, and more future technologies. But to understand the opportunities and challenges these new technologies bring, we will peer into to the future through the lens of science fiction. Science fiction both predicts and influences future technology; for example, in the 1960s Star Trek communicators foreshadowed the flip phones of the 1990s, and video chat existed in 1968’s 2001: A Space Odyssey long before Skype in the 2000s. Because sci-fi explores the human side of technological advancements—especially how people live and interact with these technologies—looking at several science fiction examples will help us think through tomorrow’s user challenges today.

This course will assume you have a basic understanding and familiarity with content strategy principles, so previous experience with content strategy, such as the completion of either COM 585: Multi-platform Content Strategy: A Practical Approach to Immersive & Responsive Content or COM 597: Design + Content: Introduction to UX Content Strategy is recommended (but not required).

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COM 597: The Art & Science of Text-Based Marketing

(

Schiller

)

- 2016-2017 | Spring

Track Neutral, 3 Credits
Saturday, April 22, May 6, 20, 9-5pm | CMU 242

Course Description: 

This advanced marketing writing class is designed for students who can already write well, but want formal training in persuasive copywriting techniques – the kind that drive people to call, buy, join, or sign-­‐up. If you’ve ever agonized over finding just the right words to achieve your goals, this class is designed to get you there faster. It introduces some of the most effective and well-­‐tested methods used by professional storytellers to outsell and outrun the constantly changing market. Students will learn how to use techniques based in psychological research to get measurable lift in subject line open rates, landing page conversion rates, app store downloads, and more. Using a combination of readings, case studies and practical writing assignments students will learn the art and science of creating top-­‐performing marketing text.

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COM 597: Audio Storytelling: Education, Engagement, and Entertainment

(

Crofts

)

- 2016-2017 | Spring

Track Neutral, 3 Credits
Wednesday, 3/27/17-6/2/17, 6-8:30pm | CMU 242

Course Description:

Whether gathered around a radio in a living room or walking plugged in with headphones, the medium of audio storytelling has always offered the opportunity to build mindset-shifting community around content. This course traces the evolution of audio storytelling from radio to podcasting that links to communities for various purposes: to educate, to entertain, and to inspire action. Consideration is given to the core characteristics of strong storytelling, observed through an auditory filter. Class materials are twinned with a selection of cross-sector guest speakers who bring their own craft perspective. Students will experiment with designing their own short audio pieces.

Student Testimonial:

“Three words are all it should take to convince any CommLeader that this course is awesome: Anita. Verna. Crofts. As we all observed, first hand, in her core class, Anita is one of those professors who not only excels at teaching course material, but also models effective communication, leadership, and community building techniques at all times. You learn a ton just by being around her, and she’s been known to bring amazing desserts to class as well.

In addition to the “AVC Factor”, this class will help you beef up your skills as a storyteller, interviewer, writer, and editor, especially when it comes to content that is meant to be engaged with auditorily. The course materials, which include a number of great podcast episodes, radio stories, and relevant readings, help provide solid examples of how audio stories can be used to educate, inspire, and entertain. There were also several guest speakers who shared insights both on the “how to’s” of audio storytelling and ways in which it can be used as a community building tool as well. Lastly there were several opportunities for rich class discussion and peer-review time which I always appreciate since we are surrounded by such a talented community here in CommLead.”

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COM 546: Communication Through Digital Media & Networks

(

Yasin

)

- 2016-2017 | Spring

Required Core Course for MCDM and MCCN
Tuesdays, 03/27/17-06/2/17, 6-9:50pm | PCAR 391

Course Description: 

Communication through Digital Media and Networks: Organizational Storytelling and the Digital Age tackles how organizations across all sectors successfully craft their story and message it internally and externally. The course looks at various theories and case studies of organizational communication, which provide important context for how organizations map their values, identities and image to the story they convey to employees and the broader public. The course also asks students to apply these theories, create solutions and draft a plan concerning an actual organizational challenge for class clients that they are matched with in the class. In working with real clients, the class hopes to facilitate the pursuit of professional networks for students whilst also building strategic thinking and planning skills, which will be reflected in students’ in-class group projects. In addition to the group projects, students also write a case-study about the organization and the communicative challenge they face on their own to further develop students’ skills as forecasters and leaders in the field.

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COM 597: Introduction to Project Management: Principles & Best Practices

(

Franco

)

- 2016-2017 | Winter

Track Neutral Elective, 3 Credits
Saturdays, 1/28, 2/11, 2/25, 9-5pm | CMU 126

Course Description: 

The legacies of communication leaders are built upon the successful management of projects. Whether you are involved in a small web project, a social media campaign or a long-term multi-platform initiative, strong project management can be the difference between merely completing a project and taking your team’s work to the next level. Effective project management requires discipline from all project team members; thus, this course is intended for anyone – not just aspiring project managers. In this course, students will be introduced to project management fundamentals and best practices. We will cover various tools and methods for planning and controlling scope, schedule, budget, quality, communication, risk and more. During the class, we will discuss and examine common practices used for interactive and digital communication projects that students will be able to immediately apply to their work elsewhere. By the end of this course, students will understand how to compose effective project management plans. There may be some opportunities for working in groups but most assignments will not be group work.

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COM 597: Thinking Story- Fundamentals of Storytelling for Organizations, Business, and Movements

(

Kessler

)

- 2016-2017 | Winter

Track Neutral Elective
Saturdays, 1/7, 1/21, 2/4, 2/18, 3/4, 9-5pm | CMU 126

Course Description:

Thinking Story is a foundational class that focuses on the art and craft of nonfiction storytelling to communicate ideas and emotion, build relationships and community, promote change and inspire action. The class reflects the need in all sectors for superb storytelling. The class explores, investigates and discusses the elements of narrative — what makes a story a story – and looks at examples of nonfiction storytelling across media (text, sound, still image, moving image and multimedia combinations). This platform-agnostic, birds-eye view of story is about learning how to reframe/ reconceptualize “information” and “report” as story, how to locate the small story that illuminates the larger issue, and what it takes to produce such work. At its heart, the class is about learning how to conceptualize issues, topics, brands, and ideas as narratives. Students will learn to “think story,” to pinpoint, pitch and gather material for the production of original, compelling and persuasive content.

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COM 573: Advanced User Research and UX Strategies

(

Morrill-McClure

)

- 2016-2017 | Winter

MCDM Elective, Meets Research Methods Core Requirement
Wednesdays, 6:00-9:50pm | CMU 126

Course Description:

What makes interactive experiences compelling and how are they designed? This course analyzes existing interfaces, discussing what makes them effective, and provides an overview of tools and theories that guide user experience designers in their practice. Students will be introduced to information architecture (wireframes, sitemaps), information design (information graphics) and visual design (composition, typography, composition, color) and encouraged to apply their learning towards practical design assignments. Our focus is on computer interfaces but is not limited to its traditional “keyboard/mouse/monitor” triangle, as we will also discuss innovative consumer products such as Kinect. The course “Foundational User Centered Design” will provide good foundation for discussion in this class but is not required. A basic understanding of Adobe Creative Suite software, CSS or Visio is helpful, but not necessary for success in this course.

Student Testimonial: 

From this course, I learnt theories and tools help UX designers in their practice. I have applied different UX research methods, such as creating personas, designing wireframes, etc. Moreover, this course gave me a concrete idea of how to become a UX designer and what I should pursue more in the future.

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COM 583: Multimedia Storytelling: Digital Distribution and the Story

(

Keller

)

- 2016-2017 | Winter

MCDM Elective
Tuesdays, 6:00-9:50pm | CMU 242

Course Description:

The landscape of web-distributed video can be broadly divided into three motifs: Entertainment, Newsgathering, and Business Communication. From YouTube to Vimeo, Netflix to Hulu, 12seconds.tv to Facebook, online video is a storytelling revolution. Or is it? How do storytelling choices affect message reception? Storytelling has been part of the human experience since the formation of language. Today, the technology that surrounds the “tell” of a story (the modes and channels of communication) directly shape the immersive experience felt by the viewer, while leveraging the lessons of narrative and myth. This course focuses on the decisions we make when we tell our stories. This course is both theoretical and practical. Students will be afforded the skills to create and distribute video stories. Additionally, students will be expected to display critical thinking around point of view, audience targeting, ROI success criteria, methodology, and production standards. Students are expected to exercise the craft of content creation while at the same time critically evaluating and deconstructing content they see in the marketplace.

Student Testimonial:

“Drew Keller’s Multimedia Storytelling class deftly weaves in the interconnected components of effective multimedia communication. Whether you are a novice or expert videographer, this class takes you to the next level by covering video syndication, platform selection, and monetization. In addition to perfectly balancing theory, guest lectures and hands on work, Drew went above and beyond by providing weekend tutorials on video composition, shooting and editing. He even provided 1:1 help during work!”

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COM 585: Multi-platform Content Strategy: A Practical Approach to Immersive & Responsive Content

(

Vanderburg

)

- 2016-2017 | Winter

MCDM Elective, Meets Research Methods Core Requirement
Tuesdays, 6:00-9:50pm | CMU 126

Course Description:

In the ever-changing world of search algorithms and content marketing, businesses have become focused on maximizing the impact of their online content. Content is no longer simply what is written on the page, rather it has become the integrated discipline of Content Strategy. This class will provide students with the skills and practice for the movement of thought from a Content Editor to a Content Strategist. Using Kristina Halvorson’s text “Content Strategy for the Web” to provide the template for structure around editorial content, students will practice the fundamentals on creating a content strategy through auditing content, developing governance, building a scorecard and defining key metrics for content. Additional readings on topics such as multi-channel delivery, collaborative authoring, knowledge management, user-generated content, and SEO will support further analysis and conversation around defining quality and relevant content. Students will leave this class with a tool-kit, vocabulary and skills to approach content in a strategic context.

Student Testimonial:

“This course is essential for understanding both how to implement content strategy (you’ll tackle all the phases of a real-world project) and how to present content strategy conclusions to colleagues and employers. The class is a perfect introduction to the discipline of content strategy for newcomers, but as a current content strategist, the work I did in class paid off for me professionally. I recently accepted a position with a major tech company as a strategist, and used skills and examples directly from this class in the interview process.”

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COM 588: Marketing and Branding in Digital Communication

(

Marr

)

- 2016-2017 | Winter

MCDM Elective
Thursdays Jan 12th – March 16th, 6:00-9:50pm | CMU 126

Course Description:

This course is designed for students that will be utilizing their MCDM education and experience in the marketing arenas in businesses and organizations (including non-profits) or in leadership functions where an understanding of marketing is an important skill. The focus on the course will be on how to best utilize digital media vehicles along with more traditional forms of communications and advertising (and other marketing or Research and Development functions). Because of the ever changing nature of the advertising world with the advances and acceptances of digital media platforms, we will showcase industry “heavy hitters” from local marketing and advertising agencies to discuss the trends and issues the industry faces, using real life situations to explore alternatives and solutions. We will also explore how new media can be used with traditional channels of distribution (clicks and bricks), as well as in the R & D functions by encouraging and mining information from current and potential customers. Students that have not had a basic marketing class will be assigned pre-course supplemental readings and we will do a quick review at our first session so that everyone has a common understanding of the subject before we move into the more cutting edge concepts.

Student Testimonial:

“Marketing and Branding is one of the most useful and fun classes that I have taken within the Communication Leadership program. This course offers updated and relevant information regarding the exponential growth of marketing in the digital sphere. This class builds upon the basics of branding and marketing skills and gives you new skills to take to other courses and/or to your career. You will also discuss the importance of branding and the role that it plays in company evolution as well as with a start up business. The homework involved in this class is engaging and useful to every lecture. The instructor has made sure to include guest speakers from all walks of the industry. From their insight, the class content becomes more real, impactful, and valuable to your education. I highly recommend this class to any member of the Communication Leadership program.”

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COM 536: Leadership Through Story and Communities: Creativity and the Digital Age

(

Crofts

)

- 2016-2017 | Autumn 2016

Required Core Course for MCDM and MCCN
Saturdays, 9/24, 10/8, 10/22, 11/5, 11/19/16, 9:00am-5:00pm | Puget Sound Plaza 508/509

Course Description:

The Comm Lead core classes are designed to build off one another, with the Fall core class focused on personal narrative and leadership styles, with the Spring core class opening the aperture on narrative to include organizational storytelling and engagement. Both classes are also designed to set expectations and behaviors for a fruitful graduate school experience that encourages students to take accountability for their own learning, to see themselves as creatives, as leaders, and as entrepreneurial thinkers whose evolving expertise serves not just their own professional growth, but the wellbeing of their greater community at large.

This foundational class considers personal leadership development through the two lenses of story and community, with particular attention paid to contemporary research on creativity. In this digital age when the technology of communication is so pervasive and accessible, leadership and creativity go hand in hand to produce strong community engagement. One’s personal narrative influences one’s leadership style, so using cross-sector profiles and guest speakers, we will carefully consider a range of leaders, personal narratives, communication styles, and how they connect meaningfully to customers, colleagues, and constituents. As part of the course, you will be exposed to communication theory and asked to map how your networks sustain and promote your professional and personal growth. In addition, you will have an opportunity to research and produce an original final project that reflects your personal and professional interests, ambitions, and curiosity within the field of communication.

Student Testimonial:  

“This course is about being able to understand that leadership and creativity are main tools in developing authentic, real and strategic messages. The class enhances the understanding of communications patterns in current organizations where storytelling becomes a unique tool to reach audiences when messages are everywhere. I learned in this class that one of the main things to true leadership is about opening ourselves to others in order to connect with them. There needs to be an ability to listen to others and care. Online worlds created by the fast-changing digital media technologies go back to the essence of connection with others. This class is the best personal and professional learning experience I had since I started the program. It gave me the creative room to imagine that everything is possible if you open up to yourself and to others. Leadership is a trait you can develop by using storytelling as a tool but in the end it’s about being able to share who you are with others and connect by listening back. The best storyteller is one who knows how to listen. Anita Verna Crofts, the professor of the course, represents that ideal teacher who is not only academically and professionally experienced, but who also cares for the whole growth of the people around her. Having this class changed my perspective on leadership, creation of communities and storytelling, but most importantly on myself.”

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COM 597: Digital Transformations of Organizations

(

Agarwal and Foot

)

- 2016-2017 | Autumn 2016

Track Neutral, Meets Research Methods Core Requirement
Wednesdays, 9/28/16-12/7/16, 6:00-8:50pm** | CMU 302

**Please note that this class meets only 3 hours a week, but is a 5-credit course. The professors have designed the course to require weekly observations that serve as an equivalent to an hour of class time. The course has a prerequisite: a Memo of Understanding signed by the student and his/her organizational liaison is required to receive an add code for registration in the course. Please read the full course description below for more details.

Course Description:

Watch a video introduction to the course from Dr. Kirsten Foot.

The process of transforming organizations– whether for-profit companies, non-profit organizations, or government agencies– is often complex, even more so when digital information and communication technologies (ICTs) are involved. There are many reasons why technology adoption fails, why people resist the introduction of new tools, and why these tools have unintended consequences and effects. Managing technology change within organizations or being a “change agent” is rewarding yet extremely challenging work. This course prepares students to take on such roles. Using a case study approach, students in this class will learn how to identify potential roadblocks to change and develop analytical lenses for assessing digitally-mediated changes in organizations. Together we will examine several aspects of such changes including innovation cycles, change leadership, technology breakdowns, resistance to ICTs and/or organizational change, and collaboration.

During the second half of autumn quarter, this course will synch up with a “sister course” for professionally-oriented graduate students enrolled in a Communication masters degree program at Shenzhen University, located in China’s leading tech-industry city. We will experiment with real-time discussions between the two classrooms via video conferencing, and students in both locations will exchange some of their fieldwork observations and insights in English (and Mandarin, if desired) in order to develop cross-cultural and international understandings of ICT-mediated organizational change processes.

This course involves weekly assignments based on students’ fieldwork in a local organization, along with reading academic journal articles, organizational reports, case studies, and other types of documents, and writing weekly reports and other analyses. At the end of this course students will be able to identify key strategies for assessing and managing ICT-related organizational change, and analyze change processes in ways that support organizational development.

In order to obtain an add code to register for this course, students will first need to identify a local organization in which they can conduct fieldwork on a weekly basis during the course. The organization should be at least 5 years old, have at least 10 staff, and have undergone– or be undergoing– ICT-related change processes (tips for finding such an organization here). Each week the student will spend an hour at the organization’s headquarters, to interview a staff member and observe staff working with ICTs. The organization can be in any sector, and a UW department or office that meets the criteria above would be fine. Students should consider their schedules, organizations’ business hours, and transportation logistics when selecting an organization. Each student will print and sign this memo of understanding of the fieldwork for this course, and ask a staff member from the organization to confirm his/her consent by signing it. Heather Werckle will provide add codes upon receipt of MOUs signed by both a student and a staff member of an organization that meets the stated criteria.

Course Prerequisites:

  • Basic word processing, Excel, and Power Point skills, and the ability to access Canvas regularly
  • Access to and understanding of how to use Canvas
  • Ability to spend an hour each week during the 10 weeks of the course at the headquarters of a Seattle-based organization that has the characteristics described above
  • A Memo of Understanding signed by the student and his/her organizational liaison is required to receive an add code for registration in the course

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COM 597: Content & Social Strategy for Maximum Business Impact

(

Schiller

)

- 2016-2017 | Autumn 2016

Track Neutral, 3 Credits
Saturdays, 10/1, 10/15, 10/29/16, 9:00am-5:00pm | CMU 126

Course Description:

Many experts think of social media and content strategy in big company terms: getting buy-in from management, developing a process, communicating among teams, defining metrics, etc. All very important, but in an over-saturated digital world how do you create the actual content? Not boring, me-too, formulaic content, but stories that people actually read, share and take action upon? Contrary to what many people think, great content is not built on luck or magic; it’s built using specific, repeatable techniques that you can learn and deploy to drive your business objectives. This class will teach you how to create unforgettable content, how to customize it for each social channel and how to ensure that your social and content strategy support each other for maximum business impact. Through a combination of case studies, readings and hands-on assignments, students will gain a solid understanding of how to create the kind of content that other marketers will wish was their own.

Student Testimonial:

I came into class with little to no formal training on content strategy. It was apparent from the get go that I would be learning multiple useful techniques on how to break down content and better improve said content based on the its ultimate goal. With her years of industry experience and scrappy attitude, Carol was a terrific asset to the class. Regardless of your individual pathway through the program, this is a great class for better understanding the online ecosystem that we all exist in.

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University of Washington

Department of Communication

© Copyright 2022 Department of Communication. University of Washington